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    • By NASA
      NASA’s podcasts let you experience the thrill of space exploration without ever leaving Earth.Credit: NASA NASA’s audio storytelling reached new frontiers in 2024, with Spotify Wrapped revealing the agency’s podcasts as a favorite among listeners worldwide. In celebration of the milestone, NASA astronaut Nick Hague spoke with Spotify about what space sounded like this year.
      “Music is one of those things that connects us to the planet,” said Hague, in the video released on Spotify and NASA social accounts. “Music is a vital part of life up here. The soundtrack up here, it’s just going all the time. Everybody’s got their own flavor of music. Every Friday night the crew gets together, we turn on music and we stream things that we like. Whether they’re into pop or hard rock, it’s an international mix. When I think of space walks, I think of classical music, slow, methodical tunes, because that is the way that we conduct spacewalks. Slowly and methodically. Classical music captures the essence of, just floating in space.”
      With listeners in more than 100 countries, NASA podcasts reached new audiences and inspired people around the world on Spotify this year. Other 2024 highlights included:
      Ranked as a top choice for thousands of listeners seeking to learn about science and space. Spent a combined 37 weeks in Spotify’s top charts for science podcasts. The top streamed podcast was “NASA’s Curious Universe”, and the top streamed episode was “A Year in Mars Dune Alpha.” “We’re thrilled to have our space-centric content featured in Spotify Wrapped 2024,” said Brittany Brown, director of digital communications, NASA Headquarters in Washington. “Our collaboration with Spotify is a testament to NASA’s commitment to producing innovative and engaging content. We’re excited to see how audiences continue to respond to this unique listening experience only NASA can provide.”
      The agency’s podcasts cover a wide range of topics, including in-depth conversations with NASA astronauts, stories that take audiences on a tour of the galaxy, and Spanish-language content.
      “Music, just like space, connects us all,” said Katie Konans, audio program lead, eMITS contract with NASA. “Our partnership with Spotify has allowed NASA to share the wonder and excitement of space with music and podcast lovers globally. This year, we’re thrilled to take this connection to new heights by bringing the Spotify Wrapped 2024 conversation beyond planet Earth.”
      NASA released its collection of original podcasts on Spotify in 2023, furthering the agency’s mission to engage the Artemis Generation in the science, space exploration, and discovery.
      In addition to Spotify, users may find NASA podcasts on Apple Podcasts, Google Podcasts, and Soundcloud.
      Discover all of NASA’s podcasts at:
      https://www.nasa.gov/podcasts
      -end-
      Abbey Donaldson
      Headquarters, Washington
      202-358-1600
      abbey.a.donaldson@nasa.gov
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      Last Updated Dec 10, 2024 LocationNASA Headquarters Related Terms
      Podcasts Astronauts International Space Station (ISS) ISS Research NASA Headquarters Social Media View the full article
    • By NASA
      A salute is widely recognized as a display of respect, but did you know it also means ‘hello’ in American Sign Language?

      It is one of the signs that Jesse Bazley, International Space Station/Commercial Low Earth Orbit Development Program integration team lead, subtly incorporates into his daily interactions with colleagues at NASA’s Johnson Space Center in Houston.

      In May 2021, Jesse Bazley worked his final shift as an Environmental and Thermal Operating Systems flight controller in the Mission Control Center at NASA’s Johnson Space Center in Houston. Image courtesy of Jesse Bazley Bazley is hard of hearing, which has at times presented challenges in his daily work – particularly during his stint as an Environmental and Thermal Operating Systems flight controller for the space station. “Working on console [in the Mission Control Center], you must listen to dozens of voice loops at a time, sometimes in different languages,” he said, adding that the standard-issue headset for flight controllers was not compatible with his hearing aids. Bazley adapted by obtaining a headset that fit over his hearing aids, learning how to adjust the audio system’s volume, and limiting over-the-air discussions when possible.

      Bazley has been part of the NASA team for 17 years, filling a variety of roles that support the International Space Station. One of his proudest achievements occurred early in his tenure. Bazley was an intern at Marshall Space Flight Center in Huntsville, Alabama, in 2006 when the space station’s Water Recovery System was being tested. The system converts the station’s wastewater into drinkable water for the crew. When he arrived at Johnson one year later, his first assignment was to assist with the system’s procedure and display development for its incorporation into the space station’s core operations. “Now, 16 years later, it is commonplace for the space station to ‘turn yesterday’s coffee into tomorrow’s coffee’,” he said.

      Jesse Bazley supporting the Atmosphere and Consumables Engineer console during the STS-127 mission in July 2009. NASA His favorite project so far has been integrating the station’s Thermal Amine Scrubber – which removes carbon dioxide from the air – into station operations. “I worked it from the beginning of NASA’s involvement, helping the provider with software testing and the integration of a brand-new Mission Control Center communications architecture,” he said.

      Today, Bazley works to integrate subject matter experts from Johnson’s Flight Operations Directorate (FOD) into the processes of the International Space Station and Commercial Low Earth Orbit Development Programs. “I help pull together FOD positions on topics and coordinate reviews of provider materials to ensure that the operations perspective is maintained as development moves forward,” he explained.

      While Bazley no longer supports a console, he must continue adapting to difficult hearing environments. He uses the captioning tools available through videoconferencing software during frequent team meetings, for example. “It’s important to understand that people have visible and invisible disabilities,” he said. “Sometimes their request for a remote option is not because they want to avoid an in-person meeting. It may be that they work best using the features available in that virtual environment.”

      Bazley also chairs the No Boundaries Employee Resource Group, which promotes the development, inclusion, and innovation of Johnson’s workforce with a focus on employees with disabilities and employees who are caregivers of family members with disabilities.

      From these diverse roles and experiences, Bazley has learned to listen to his gut instincts. “In flight operations, you must work with short timelines when things happen in-orbit, so you have to trust your training,” he said. “Understanding when you have enough information to proceed is critical to getting things done.”

      Bazley looks forward to the further commercialization of low Earth orbit so NASA can focus resources on journeying to the Moon and Mars. “Aviation started out as government-funded and now is commonplace for the public. I look forward to seeing how that evolution progresses in low Earth orbit.”

      His advice to the Artemis Generation is to consider the long-term impact of their actions and decisions. “What looks great on paper may not be a great solution when you have to send 10 commands just to do one task, or when the crew has to put their hand deep into the spacecraft to actuate a manual override,” he said. “The decisions you make today will be felt by operations in the future.”
      View the full article
    • By European Space Agency
      Video: 00:01:20 Approximately 41 000 years ago, Earth’s magnetic field briefly reversed during what is known as the Laschamp event. During this time, Earth’s magnetic field weakened significantly—dropping to a minimum of 5% of its current strength—which allowed more cosmic rays to reach Earth’s atmosphere.
      Scientists at the Technical University of Denmark and the German Research Centre for Geosciences used data from ESA’s Swarm mission, along with other sources, to create a sounded visualisation of the Laschamp event. They mapped the movement of Earth’s magnetic field lines during the event and created a stereo sound version which is what you can hear in the video.
      The soundscape was made using recordings of natural noises like wood creaking and rocks falling, blending them into familiar and strange, almost alien-like, sounds. The process of transforming the sounds with data is similar to composing music from a score.
      Data from ESA’s Swarm constellation are being used to better understand how Earth’s magnetic field is generated. The satellites measure magnetic signals not only from the core, but also from the mantle, crust, oceans and up to the ionosphere and magnetosphere. These data are crucial for studying phenomena such as geomagnetic reversals and Earth’s internal dynamics.
      The sound of Earth’s magnetic field, the first version of the magnetic field sonification produced with Swarm data, was originally played through a 32-speaker system set up in a public square in Copenhagen, with each speaker representing changes in the magnetic field at different places around the world over the past 100 000 years.
      View the full article
    • By Space Force
      The OSTC will provide expert, independent and ethical representation of the United States in matters primarily involving victim-based offenses.
      View the full article
    • By European Space Agency
      Video: 00:04:41 At some point, statistically speaking, a large asteroid will impact Earth. Whether that’s tomorrow, in ten years, or a problem for our ancestors, ESA is getting prepared.
      As part of the world’s first test of asteroid deflection, ESA’s Hera mission will perform a detailed post-impact survey of Dimorphos – the 160-metre asteroid struck, and successfully deflected, by NASA’s DART spacecraft.
      Hera will soon study the aftermath. Launching in October 2024, Hera will turn this grand-scale experiment into a well-understood and hopefully repeatable planetary defence technique.
      But before Hera and its two CubeSats fly, they’re rigorously tested at ESA’s ESTEC test centre in Noordwijk, the Netherlands. From the force and noise of the rocket take-off to the sustained vacuum and temperature extremes of deep space, all aspects of Hera’s functioning are checked before they begin their journey, alone in space.
      View the full article
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