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NASA to Launch New Mars Sample Receiving Project Office at Johnson
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By NASA
A SpaceX Falcon 9 rocket stands vertical on Tuesday, Feb. 25, 2025, at Launch Complex 39A at NASA’s Kennedy Space Center ahead of Intuitive Machines’ IM-2 mission as part of the agency’s Commercial Lunar Payload Services initiative and Artemis campaign. SpaceX Sending instruments to the Moon supports a growing lunar economy on and off Earth, and the next flight of NASA science and technology is only days away. NASA’s CLPS (Commercial Lunar Payload Services) initiative is a lunar delivery service that sends NASA science and technology instruments to various geographic locations on the Moon using American companies. These rapid, cost-effective commercial lunar missions at a cadence of about two per year improve our understanding of the lunar environment in advance of future crewed missions to the Moon as part of the agency’s broader Artemis campaign.
Of the 11 active CLPS contracts, there have been three CLPS launches to date: Astrobotic’s Peregrine Mission One, which collected data in transit but experienced an anomaly that prevented it from landing on the Moon; Intuitive Machines’ IM-1 mission, which landed, tipped over, and operated on the lunar surface; and Firefly Aerospace’s Blue Ghost Mission One that is currently enroute and scheduled to land in early March 2025. The CLPS contract awards cover end-to-end commercial payload delivery services, including payload integration, launch from Earth, landing on the surface of the Moon, and mission operations.
NASA’s fourth CLPS flight is from Intuitive Machines with their IM-2 mission. The IM-2 mission is carrying NASA science and technology instruments to Mons Mouton, a lunar plateau just outside of 5 degrees of the South Pole of the Moon, closer to the pole than any preceding lunar mission.
Scheduled to launch no earlier than Wednesday and land approximately eight days later, Intuitive Machines’ Nova-C lander, named Athena, will carry three NASA instruments to the lunar South Pole region – the Polar Resources Ice Mining Experiment-1 (PRIME-1) suite and the Laser Retroreflector Array (LRA).
The PRIME-1 suite consists of two instruments, the TRIDENT drill (The Regolith Ice Drill for Exploring New Terrain) and MSolo (Mass Spectrometer observing lunar operations), which will work together to extricate lunar soil samples, known as regolith, from the subsurface and analyze their composition to further understand the lunar environment and gain insight on potential resources that can be extracted for future examination.
The meter-long TRIDENT drill is designed to extract lunar regolith, up to about three feet below the surface. It will also measure soil temperature at varying depths below the surface, which will help to verify existing lunar thermal models that are used for ice stability calculations and resource mapping. By drilling into the lunar regolith, information is gathered to help answer questions about the lunar regolith geotechnical properties, such as soil strength, both at the surface and in the subsurface that will help inform Artemis infrastructure objectives. The data will be beneficial when designing future systems for on-site resource utilization that will use local resources to create everything from landing pads to rocket fuel. The lead development organization for TRIDENT is Honeybee Robotics, a Blue Origin Company.
The MSOLO instrument is a mass spectrometer capable of identifying and quantifying volatiles (or gasses that easily evaporate) found at or beneath the lunar surface, including– if it’s present in the regolith within the drill’s reach – water and oxygen, brought to the surface by the TRIDENT drill. This instrument can also detect any gases that emanate from the lander, drilling process, and other payloads conducting operations on the surface. Using MSolo to study the volatile gases found on the Moon can help us understand how the lander’s presence might alter the local environment. The lead development organization is INFICON of Syracuse, New York, in partnership with NASA’s Kennedy Space Center in Florida.
NASA’s LRA is a collection of eight retroreflectors that enable precision laser ranging, which is a measurement of the distance between the orbiting or landing spacecraft to the reflector on the lander. The LRA instrument is passive, meaning it does not power on. It will function as a permanent location marker on the Moon for decades to come, similar to its predecessors. The lead development organization is NASA’s Goddard Space Flight Center in Greenbelt, Maryland.
In addition to the CLPS instruments, two technology demonstrations aboard IM-2 were developed through NASA’s Tipping Point opportunity. These are collaborations with the agency’s Space Technology Mission Directorate and industry that support development of commercial space capabilities and benefit future NASA missions.
Intuitive Machines developed a small hopping robot, Grace, named after Grace Hopper, computer scientist and mathematician. Grace will deploy as a secondary payload from the lander and enable high-resolution imaging and science surveying of the lunar surface, including permanently shadowed craters around the landing site. Grace is designed to bypass obstacles such as steep inclines, boulders, and craters to cover a lot of terrain while moving quickly, which is a valuable capability to support future missions on the Moon and other planets, including Mars.
Nokia will test a Lunar Surface Communications System that employs the same cellular technology here on Earth. Reconceptualized by Nokia Bell Labs to meet the unique requirements of a lunar mission, this tipping point technology aims to demonstrate proximity communications between the lander, a Lunar Outpost rover, and the hopper.
Launching as a rideshare alongside the IM-2 mission, NASA’s Lunar Trailblazer spacecraft also will begin its journey to lunar orbit where it will map the distribution of water – and other forms of water – on the Moon.
Future CLPS flights will continue to send payloads to the near side, far side, and South Pole regions of the Moon where investigations and exploration are informed by each area’s unique characteristics. With a pool of 13 American companies under CLPS, including a portfolio of 11 lunar deliveries by five vendors sending more than 50 individual science and technology instruments to lunar orbit and the surface of the Moon, NASA continues to advance long-term exploration of the Moon, and beyond to Mars.
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By NASA
3 min read
NASA Open Data Turns Science Into Art
Guests enjoy Beyond the Light, a digital art experience featuring open NASA data, at ARTECHOUSE in Washington, D.C. on September 19, 2023. NASA/Wade Sisler An art display powered by NASA science data topped the Salesforce Tower in San Francisco, CA throughout December 2024. Nightly visitors enjoyed “Synchronicity,” a 20-minute-long video art piece by Greg Niemeyer, which used a year’s worth of open data from NASA satellites and other sources to bring the rhythms of the Bay Area to life.
Data for “Synchronicity” included atmospheric data from NASA and NOAA’s GOES (Geostationary Operational Environmental Satellites), vegetation health data from NASA’s Landsat program, and the Sun’s extreme ultraviolet wavelengths as captured by the NASA and ESA (European Space Agency) satellite SOHO (Solar and Heliospheric Observatory). Chelle Gentemann, the program scientist for the Office of the Chief Science Data Officer within NASA’s Science Mission Directorate, advised Niemeyer on incorporating data into the piece.
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Greg Niemeyer’s “Synchronicity” was displayed on Salesforce Tower in San Francisco, CA, in December 2024. A recording of the piece on the tower’s display and the original animation are shown here. The video art piece was created using open NASA data, as well as buoy data from the National Oceanographic and Atmospheric Administration (NOAA). Greg Niemeyer/Emma Strebel “Artists have a lot to contribute to science,” Gentemann said. “Not only can they play a part in the actual scientific process, looking at things in a different way that will lead to new questions, but they’re also critical for getting more people involved in science.”
NASA’s history of engaging with artists goes back to the 1962 launch of the NASA Art Program, which partnered with artists in bringing the agency’s achievements to a broader audience and telling the story of NASA in a different and unexpected way. Artists such as Andy Warhol, Norman Rockwell, and Annie Leibovitz created works inspired by NASA missions. The Art Program was relaunched in September 2024 with a pair of murals evoking the awe of space exploration for the Artemis Generation.
The inaugural murals for the relaunched NASA Art Program appear side-by-side at 350 Hudson Street, Monday, Sept. 23, 2024, in New York City. The murals, titled “To the Moon, and Back,” were created by New York-based artist team Geraluz and WERC and use geometrical patterns to invite deeper reflection on the exploration, creativity, and connection with the cosmos. NASA/Joel Kowsky The use of NASA data in art pieces emerged a few decades after the NASA Art Program first launched. Several in-house agency programs, such as NASA’s Scientific Visualization Studio, create stunning animated works from science data. In the realm of audio, NASA’s Chandra X-ray Observatory runs the Universe of Sound project to convert astronomy data into “sonifications” for the public’s listening pleasure.
Collaborations with external artists help bring NASA data to an even broader audience. NASA’s commitment to open science – making it as easy as possible for the public to access science data – greatly reduces the obstacles for creatives looking to fuse their art with cutting-edge science.
Michelle Thaller, assistant director for science communication at Goddard, presents the “Pillars of Creation” in the Eagle nebula to the ARTECHOUSE team during a brainstorming session at Goddard. The left image is a view from the Hubble Space Telescope, and the right view is from the Webb telescope. NASA/Wade Sisler Another recent blend of NASA data and art came when digital art gallery ARTECHOUSE created “Beyond the Light,” a 26-minute immersive video experience featuring publicly available images from the James Webb Space Telescope and Hubble Space Telescope. The experience has been running at various ARTECHOUSE locations since September 2023. The massive potential for art to incorporate science data promises to fuel even more of these collaborations between NASA and artists in the future.
“One of the integral values of open science is providing opportunities for more people to participate in science,” Gentemann said. “I think that by getting the public interested in how this art is done, they also are starting to play with scientific data, maybe for the first time. In that way, art has the power to create new scientists.”
Learn more about open science at NASA at https://science.nasa.gov/open-science.
By Lauren Leese
Web Content Strategist for the Office of the Chief Science Data Officer
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By European Space Agency
Video: 00:03:06 The ExoMars Rosalind Franklin rover will drill deeper than any other mission has ever attempted on the Red Planet.
The third episode in the series shows how the rover will extract, collect and analyse martian samples in a high-fidelity simulation.
Rosalind Franklin will be the first rover to reach a depth of up to two metres deep below the surface, acquiring samples that have been protected from harsh fsurface radiation and extreme temperatures.
The drill system combines multiple precission mechanisms in an intricate automated sequence. It uses three extension rods that connect tor form a two-metre “drill string”.
As the rover drills, it will simultaneously investigate the borehole using infrared spectroscopy to study mineral composition.
The ExoMars Rosalind Franklin mission is part of Europe’s ambitious exploration journey to search for past and present signs of life on Mars.
For the latest mission updates, visit ESA’s ExoMars website and our FAQ section.
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By NASA
Acting Director of NASA’s Johnson Space Center, Steve Koerner. Credit: NASA/Norah Moran NASA has selected Stephen Koerner as acting director of Johnson Space Center. Koerner previously served as Johnson’s deputy director.
“It is an honor to accept my new role as acting director for Johnson,” Koerner said. “Our employees are key to our nation’s human spaceflight goals. I am continually impressed with what our workforce accomplishes and am proud to be named the leader of such an incredible team dedicated to mission excellence.”
Koerner previously served as deputy director of NASA Johnson beginning in July 2021, overseeing strategic workforce planning, serving as Designated Agency Safety Health Officer (DASHO), and supporting the Johnson Center Director in mission reviews. Before his appointment to deputy director, Koerner served as director of the Flight Operations Directorate (FOD) for two years. In that role, he was responsible for selecting and protecting astronauts, and for the planning, training, and execution of human space flight and aviation missions. He managed an annual budget of $367 million, 600 civil servants and military personnel, and 2300 contractor personnel. He oversaw the Astronaut Office, the Flight Director Office, the Mission Control Center, human spaceflight training facilities, and Johnson’s Aviation Operations Division. During this tenure he was also responsible for FOD’s flight readiness of the first commercial human spaceflight mission, ushering in a new era of domestic launch capability and the return of American astronauts launching from American soil.
Prior to assuming his position as director of Flight Operations, Koerner served in several senior executive roles, including:
Johnson Space Center Associate Director from 2018 to 2019 Johnson Space Center Chief Financial Officer (CFO) from 2017 to 2018 Deputy Director of Flight Operations from 2014 to 2017 Deputy Director Mission Operations from 2007 to 2014 Koerner joined Johnson full-time in 1992. He has extensive operations experience including serving as an environmental systems space shuttle flight controller, where he supported 41 space shuttle flights in Mission Control. Since that time, he has served in a series of progressively more responsible positions, including lead for two International Space Station flight control groups, chief of the space station’s Data Systems Flight Control Branch, chief of the Mission Operations Directorate’s Management Integration Office, and as the Mission Operation Directorate’s manager for International Space Station operations.
Additional special assignments throughout his career include:
Project manager for Johnson’s Crew Exploration Vehicle Avionics Integration Lab (June 2007 –June 2008) Member of NASA’s Human Exploration Framework Team (April 2010 –October 2010) Member of NASA’s Standing Review Board that provided an independent assessment at life cycle review milestones for the Multi-Purpose Crew Vehicle Program, the Space Launch System Program and the Ground Systems Development and Operations Program (October 2011 – August 2014) Lead of NASA’s Mission Operations Capability Team (October 2015 –April 2017) “Steve has an accomplished career serving human spaceflight. His vision and dedication to the Johnson workforce makes him the perfect person to lead the Johnson team forward as acting director,” said Vanessa Wyche, NASA acting associate administrator. “Steve is an asset to the center and the agency—as both a proven technical expert and a leader.”
Throughout his career, Koerner has been recognized for outstanding technical achievements and leadership, receiving two Superior Accomplishment Awards, the Outstanding Leadership Medal, the Johnson Space Center Director’s Commendation Award, two group achievement awards, the Exceptional Service Medal, and the Presidential Rank Award.
Koerner is a native of Stow, Ohio. He earned a bachelor’s degree in mechanical engineering from the University of Akron in Ohio, and a master’s degree in business administration from LeTourneau University in Longview, Texas.
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