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By NASA
Illustration of the main asteroid belt, orbiting the Sun between Mars and JupiterNASA NASA’s powerful James Webb Space Telescope includes asteroids on its list of objects studied and secrets revealed.
A team led by researchers at the Massachusetts Institute of Technology (MIT) in Cambridge repurposed Webb’s observations of a distant star to reveal a population of small asteroids — smaller than astronomers had ever detected orbiting the Sun in the main asteroid belt between Mars and Jupiter.
The 138 new asteroids range from the size of a bus to the size of a stadium — a size range in the main belt that has not been observable with ground-based telescopes. Knowing how many main belt asteroids are in different size ranges can tell us something about how asteroids have been changed over time by collisions. That process is related to how some of them have escaped the main belt over the solar system’s history, and even how meteorites end up on Earth.
“We now understand more about how small objects in the asteroid belt are formed and how many there could be,” said Tom Greene, an astrophysicist at NASA’s Ames Research Center in California’s Silicon Valley and co-author on the paper presenting the results. “Asteroids this size likely formed from collisions between larger ones in the main belt and are likely to drift towards the vicinity of Earth and the Sun.”
Insights from this research could inform the work of the Asteroid Threat Assessment Project at Ames. ATAP works across disciplines to support NASA’s Planetary Defense Coordination Office by studying what would happen in the case of an Earth impact and modeling the associated risks.
“It’s exciting that Webb’s capabilities can be used to glean insights into asteroids,” said Jessie Dotson, an astrophysicist at Ames and member of ATAP. “Understanding the sizes, numbers, and evolutionary history of smaller main belt asteroids provides important background about the near-Earth asteroids we study for planetary defense.”
Illustration of the James Webb Space TelescopeNASA The team that made the asteroid detections, led by research scientist Artem Burdanov and professor of planetary science Julien de Wit, both of MIT, developed a method to analyze existing Webb images for the presence of asteroids that may have been inadvertently “caught on film” as they passed in front of the telescope. Using the new image processing technique, they studied more than 10,000 images of the star TRAPPIST-1, originally taken to search for atmospheres around planets orbiting the star, in the search for life beyond Earth.
Asteroids shine more brightly in infrared light, the wavelength Webb is tuned to detect, than in visible light, helping reveal the population of main belt asteroids that had gone unnoticed until now. NASA will also take advantage of that infrared glow with an upcoming mission, the Near-Earth Object (NEO) Surveyor. NEO Surveyor is the first space telescope specifically designed to hunt for near-Earth asteroids and comets that may be potential hazards to Earth.
The paper presenting this research, “Detections of decameter main-belt asteroids with JWST,” was published Dec. 9 in Nature.
The James Webb Space Telescope is the world’s premier space science observatory. Webb is solving mysteries in our solar system, looking beyond to distant worlds around other stars, and probing the mysterious structures and origins of our universe and our place in it. Webb is an international program led by NASA with its partners, ESA (European Space Agency) and CSA (Canadian Space Agency).
For news media:
Members of the news media interested in covering this topic should reach out to the NASA Ames newsroom.
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By NASA
NASA has taken a big step forward in how engineers will assemble and stack future SLS (Space Launch System) rockets for Artemis Moon missions inside the Vehicle Assembly Building (VAB) at the agency’s Kennedy Space Center in Florida.
The VAB’s High Bay 2 has been outfitted with new tooling to facilitate the vertical integration of the SLS core stage. That progress was on full display in mid-December when teams suspended the fully assembled core stage 225 feet in the air inside the high bay to complete vertical work before it is stacked on mobile launcher 1, allowing teams to continue solid rocket booster stacking simultaneously inside High Bay 3 for Artemis II.
The fully assembled SLS (Space Launch System) core stage for the Artemis II test flight is suspended 225 feet in the air inside the newly renovated High Bay 2 at Kennedy’s Vehicle Assembly Building. The core stage was lifted to enable engineers to complete work before it is stacked on mobile launcher 1 with other rocket elements. With the move to High Bay 2, technicians now have 360-degree tip to tail access to the core stage, both internally and externally.NASA With the move to High Bay 2, technicians with NASA and Boeing now have 360-degree tip to tail access to the core stage, both internally and externally. Michigan-based supplier Futuramic Tool and Engineering led the design and build of the Core Stage Vertical Integration Center tool that will hold the core stage in a vertical position.
“High Bay 2 tooling was originally scheduled to be complete for Artemis III. We had an opportunity to get it done earlier and that will put us in a good posture to complete work earlier than planned prior to moving the core stage for Artemis II into the full integrated stack over into in High Bay 3,” said Chad Bryant, deputy manager of the NASA SLS Stages Office. “This gives us an opportunity to go in and learn how to rotate, lift, and move the core stage into the high bay.”
This move also doubles the footprint of useable space within the VAB, giving engineers access to both High Bay 2 and High Bay 3 simultaneously, while also freeing up space at NASA’s Michoud Assembly Facility in New Orleans to continue work on the individual elements for future SLS core stages.
High Bay 2 has a long history of supporting NASA exploration programs: during Apollo, High Bay 2, one of four high bays inside the VAB, was used to stack the Saturn V rocket. During the Space Shuttle Program, the high bay was used for external tank checkout and storage and as an extra storage area for the shuttle.
Under the new assembly model beginning with Artemis III, all the major structures for the SLS core stage will continue to be fully produced and manufactured at NASA Michoud. Upon completion of manufacturing and thermal protection system application, the engine section will be shipped to Kennedy for final outfitting.
The 212-foot-tall SLS (Space Launch System) core stage for NASA Artemis II is seen being moved from a horizontal position to a vertical position in High Bay 2 at the Vehicle Assembly Building at NASA’s Kennedy Space Center in Florida. With the move to High Bay 2, NASA and Boeing technicians now have 360-degree access to the core stage both internally and externally. (NASA) “Core stage 3 marks a significant change in the way we build core stages,” said Steve Wofford, manager of the SLS Stages Office. “The vertical capability in High Bay 2 allows us to perform parallel processing from the top to bottom of the stage. It’s a much more efficient way to build core stages. This new capability will streamline final production efforts, allowing our team to have 360-degree access to the stage, both internally and externally.”
The fully assembled core stage for Artemis II arrived July 23, 2024, at Kennedy, where it remained horizontal inside the VAB transfer aisle until its recent lift into the newly outfitted high bay.
Teams at NASA Michoud are outfitting the remaining core stage elements for Artemis III and preparing to horizontally join them. The four RS-25 engines for the Artemis III mission are complete at NASA’s Stennis Space Center in Bay St. Louis, Mississippi, and will be transported to NASA Kennedy in 2025. Major core stage and exploration upper stage structures are in work at NASA Michoud for Artemis IV and beyond.
NASA is working to land the first woman, first person of color, and its first international partner astronaut on the Moon under Artemis. SLS is part of NASA’s backbone for deep space exploration, along with the Orion spacecraft, supporting ground systems, advanced spacesuits and rovers, the Gateway in orbit around the Moon, and commercial human landing systems. SLS is the only rocket that can send Orion, astronauts, and supplies to the Moon in a single launch.
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Jonathan Deal
Marshall Space Flight Center
Huntsville, Ala.
256-544-0034
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By NASA
4 min read
NASA Open Science Reveals Sounds of Space
A composite image of the Crab Nebula features X-rays from Chandra (blue and white), optical data from Hubble (purple), and infrared data from Spitzer (pink). This image is one of several that can be experienced as a sonification through Chandra’s Universe of Sound project. X-ray: NASA/CXC/SAO; Optical: NASA/STScI; Infrared: NASA-JPL-Caltech NASA has a long history of translating astronomy data into beautiful images that are beloved by the public. Through its Chandra X-ray Observatory and Universe of Learning programs, NASA brings that principle into the world of audio in a project known as “A Universe of Sound.” The team has converted openly available data from Chandra, supplemented by open data from other observatories, into dozens of “sonifications,” with more on the way.
Following the open science principle of accessibility, “A Universe of Sound” helps members of the public who are blind or low vision experience NASA data in a new sensory way. Sighted users also enjoy listening to the sonifications.
“Open science is this way to not just have data archives that are accessible and incredibly rich, but also to enhance the data outputs themselves,” said Dr. Kimberly Arcand, the visualization scientist and emerging technology lead at Chandra and member of NASA’s Universe of Learning who heads up the sonification team. “I want everybody to have the same type of access to this data that I do as a scientist. Sonification is just one of those steps.”
Data sonification of the Milky Way galactic center, made using data from NASA’s Chandra X-ray Observatory, Hubble Space Telescope, and Spitzer Space Telescope. While the Chandra telescope provides data in X-ray wavelengths for most of the sonifications, the team also took open data from other observatories to create a fuller picture of the universe. Types of data used to create some of the sonifications include visual and ultraviolet light from the Hubble Space Telescope, infrared and visual light from the James Webb Space Telescope, and infrared light from the now-retired Spitzer Space Telescope.
The sonification team, which includes astrophysicist Matt Russo, musician Andrew Santaguida (both of the SYSTEM Sounds project), consultant Christine Malec, and Dr. Arcand, assigned each wavelength of observation to a different musical instrument or synthesized sound to create a symphony of data. Making the separate layers publicly available was important to the team to help listeners understand the data better.
“It’s not just about accessibility. It’s also about reproducibility,” Arcand said. “We’re being very specific with providing all of the layers of sound, and then describing what those layers are doing to make it more transparent and obvious which steps were taken and what process of translation has occurred.”
For example, in a sonification of the supernova remnant Cassiopeia A, modified piano sounds represent X-ray data from Chandra, strings and brass represent infrared data from Webb and Spitzer, and small cymbals represent stars located via visual light data from Hubble.
Data sonification of the Cassiopeia A supernova remnant, made using data from NASA’s Chandra X-ray Observatory, James Webb Space Telescope, and Hubble Space Telescope. The team brought together people of various backgrounds to make the project a success – scientists to obtain and interpret the data, audio engineers to mix the sonifications, and members of the blind and low vision community to direct the product into something that brought a greater understanding of the data.
“Another benefit to open science is it tends to open those pathways of collaboration,” Arcand said. “We invite lots of different community members into the process to make sure we’re creating something that adds value, that adds to the greater good, and that makes the investment in the data worthwhile.”
A documentary about the sonifications called “Listen to the Universe” is hosted on NASA+. Visitors can listen to all the team’s sonifications, including the separate layers from each wavelength of observation, on the Universe of Sound website.
By Lauren Leese
Web Content Strategist for the Office of the Chief Science Data Officer
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By USH
The ongoing mystery surrounding recent drone sightings has become increasingly complex, with conflicting reports making it difficult to draw definitive conclusions. However, a new and intriguing element has emerged alongside these drones sightings: numerous accounts of mysterious orbs, potentially of alien origin, flying at both low and high altitudes.
Reports of mysterious orbs have been increasing in recent weeks. These orbs have been sighted at both high altitudes and closer to urban areas.
Orb sighting over New Jersey on December 17, 2024Watch video UFO Sightings Daily
Pilots have reported encounters to air traffic control. Listen to conversations between pilots and traffic control.
And a passenger aboard United Airlines flight UA2359 from Chicago to Newark recently captured footage of these mysterious orbs. The video, shared online by the user “EasilyAmusedEE” on December 16, 2024, shows objects at altitudes between 40,000 and 50,000 feet—far beyond the capabilities of consumer drones. The footage was reportedly taken using an iPhone 16 Pro Max.
Video plane passenger films unknown orbs.
About the drone sightings: Meanwhile, eyewitness accounts describe these so-called drones as crafts that emit no noise, suggesting advanced technology. Additionally, there are claims that these crafts seem to intentionally draw attention, as they have reportedly interfered with cars (lamps flickering), electronics, streetlights (lamps flickering), and even fully charged batteries, which are said to be instantly drained in their presence.
Video shows among other (drone/orb) sightings, cars lamps flickering, streetlights lamps flickering, fully charged batteries drained.
This surge in Orb sightings raises more questions. Are these orbs extraterrestrial in origin? Could they be deliberately associated with the drone phenomena, or is their timing coincidental? Some suggest the possibility of a false flag operation, hinting at a deeper and potentially misleading agenda by the U.S. government.
Whether these drones and Orbs sightings point to advanced human technology, extraterrestrial activity, or a mix of both, one thing is clear: there is something significant going on.View the full article
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By NASA
NASA/Kim Shiflett In this image from Dec. 11, 2024, the 212-foot-tall SLS (Space Launch System) core stage is lowered into High Bay 2 at the Vehicle Assembly Building at NASA’s Kennedy Space Center in Florida. With the move to High Bay 2, NASA and Boeing technicians now have 360-degree access to the core stage both internally and externally.
The Artemis II test flight, targeted for launch in 2026, will be NASA’s first mission with crew under the Artemis campaign. NASA astronauts Victor Glover, Christina Koch, and Reid Wiseman, as well as CSA (Canadian Space Agency) astronaut Jeremy Hansen, will go on a 10-day journey around the Moon and back.
Image credit: NASA/Kim Shiflett
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