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By European Space Agency
Space startups and SMEs can meet ESA’s SME Office at Space Tech Expo, a space technology trade fair and conference in Bremen, Germany from 19–21 November.
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By NASA
Born and raised in Mexico City, Carlos Fontanot has dedicated 34 years to NASA. He supports the International Space Station Mission Integration and Operations Office, ensuring that high-quality imagery enhances mission objectives and operations.
Fontanot is known for conceiving and leading the High Definition Earth Viewing (HDEV) project, which has brought stunning live visuals of Earth to millions around the globe. As he approaches his well-deserved retirement, we are excited to spotlight Fontanot’s remarkable career, celebrating his contributions to NASA and the lasting impact he has made on the agency’s mission to share the wonders of space.
Carlos Fontanot (left) receives the Great Minds in STEM Lifetime Achievement Award from Joel Montelbano, NASA at the Hispanic Engineer National Achievement Award Conference. What does your position entail?
Integrate all aspects of station imagery, from initial requirements to acquisition, processing, cataloging, archiving, and distribution of station imagery to multiple stakeholders, our clients.
How would you describe your job to family or friends who may not be as familiar with NASA?
I manage an array of television and digital still imagery cameras on the International Space Station. Each day we receive eight channels of high definition (HD) video and thousands of digital images that allow the ground team to see what the crew is doing in their daily lives and as part of scientific activities. In today’s age of social media and high-quality imagery, having these images is crucial for effectively conveying the station narrative.
I also chair the International Space Station’s Multilateral Imagery Working Group. Our team captures and processes the video and still images on a large server, where they are cataloged, archived, and distributed to our clients. Additionally, we are responsible for the photo and TV hardware aboard the space station and provide training to astronauts on how to use this equipment.
Carlos Fontanot with Liam Kennedy at the International Space Station Research and Development Conference. How do you feel the imagery and public affairs teams contribute to the overall mission of NASA?
Imagery is critical for communication in today’s visual environment. If people can’t see it, they won’t believe it! Effective communication through multimedia and pointed messaging is essential for securing continued support for NASA missions from both Congress and the public.
What was your path to NASA?
I was always interested in photography and film, so I studied radio, TV, and film in college. My first job after graduation was with a local TV station, and I also managed a media center for a multinational company. Then, I joined Johnson Space Center’s television and film division, where I managed space shuttle and institutional imagery.
Once at Johnson, I worked in the Office of Public Affairs as the audiovisual manager and served for two years as the public affairs officer in Moscow at the start of the International Space Station Program, including the launch of the first station crew.
What advice would you give to young individuals aspiring to work in the space industry or at NASA?
NASA is not just about astronauts, flight controllers, and engineers—there are countless disciplines and job opportunities here. Take imagery, for example: in today’s digital age, having the highest resolution imagery of our incredible orbiting laboratory environment and our home planet is essential.
For those aspiring to join the NASA team, I encourage you be open-minded and a team player. We need well-educated and talented individuals from diverse backgrounds across all disciplines to help us achieve our goals and explore the wonders of space.
Is there a space figure you’ve looked up to?
The space figure I will always remember and look up to is John Glenn. I had the fortune and privilege to meet him during his training. He was an extraordinary human being with incredibly high goals throughout his career.
I was assigned to escort John Glenn and the STS-95 crew on a two-week official visit to several European countries. John was by far the most inspiring and dedicated crew member that I’d ever met. He was always ready and willing to engage with dignitaries, politicians, leaders, journalists, and the public to share the NASA story and promote future programs to gain support from various governments and the public.
What do you love sharing about the International Space Station to general audiences?
I love sharing the wonders of life in space, especially the unique and breathtaking views of our planet Earth that can only be appreciated from space. I like to tell audiences about the observations and inspiration our astronauts share upon returning from their missions. I emphasize our thin and fragile atmosphere that sustains life as we know it, the beauty of Earth’s deserts, mountains, jungles, and oceans, and most importantly, the absence of borders. There’s always a profound realization that we are all human and that Earth belongs to all of us.
How has the technology for capturing images and video in space evolved over the years?
There was no digital imagery when I started my professional career. Photographs were taken on film that had to be processed in a dark room using chemicals to produce images. Video was recorded on two-inch magnetic tape at low resolution. We even flew film on our spacecraft that had to be brought back and processed on the ground.
Today, in the digital world, images can be streamed directly from our spacecraft and almost instantaneously shared with the entire globe. The evolution of technology has truly transformed how we capture and share the wonders of space!
Carlos Fontanot (left) sets up a NASA imagery exhibit in the Houston Downtown Tunnel System. What are some of the key projects you’ve worked on during your time at NASA? What have been your favorites?
During my time at NASA, I co-led the High Definition Earth Viewing (HDEV) project, which deployed four Earth-viewing cameras on the International Space Station, reaching over 318 million viewers globally. I also contributed to designing Johnson’s new PAO studio, collaborated on upgrading the space station’s downlink system from four standard-definition to eight high-definition channels, and advanced television technology, including the first HD and later UHD live downlinks from the station. These projects have allowed me to enhance NASA’s capacity for sharing space imagery with the world.
What are your plans for retirement, and how do you hope to stay connected to the space community?
I plan to travel across the U.S. in a travel trailer with my wife and dog and enjoying my hobbies I will now have time for, such as photography and spending quality time with my family.
Carlos and Pat Fontanot at the Grand Canyon South Rim in Arizona. How do you believe NASA’s imagery can continue to inspire future generations?
Astronaut John Young would come to the photo lab after every shuttle mission to review the film shot onboard. He would say, “A picture is worth a thousand words.” What can inspire more than a breathtaking image of a sunset captured from space or the aurora borealis over the polar regions?
What legacy do you hope to leave behind after your time at NASA?
I hope to leave behind a legacy of passion and dedication to acquiring and making pristine, high-resolution imagery from space available for the public to enjoy.
If you could have dinner with any astronaut, past or present, who would it be?
I would choose John Young. He flew during both the Apollo and shuttle eras, was an imagery expert, and had a deep understanding of the space station.
Favorite space movie?
Interstellar
NASA Worm or Meatball logo?
Worm
***
Every day we are conducting exciting research aboard our orbiting laboratory that will help us explore farther into space and bring benefits back to people on Earth. You can keep up with the latest news, videos, and pictures about space station science on the Station Research & Technology news page. It is a curated hub of space station research and digital media from Johnson and other centers and space agencies.
Sign up for our weekly email newsletter to get the updates delivered directly to you.
Follow updates on social media at @ISS_Research on X, and on the space station accounts on Facebook and Instagram.
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By NASA
4 min read
NASA’s Instruments Capture Sharpest Image of Earth’s Radiation Belt
From Aug. 19-20, ESA’s (European Space Agency’s) Juice (Jupiter Icy Moons Explorer) mission made history with a daring lunar-Earth flyby and double gravity assist maneuver, a spaceflight first. As the spacecraft zipped past our Moon and home planet, Juice’s instruments came online for a dry run of what they’ll do when they reach Jupiter. During that time, two of NASA’s onboard instruments added another first to the list: capturing the sharpest-ever image of Earth’s radiation belts – swaths of charged particles trapped in Earth’s magnetic shield, or magnetosphere.
The Jovian Energetic Neutrals and Ions (JENI) instrument, built and managed by the Johns Hopkins Applied Physics Laboratory (APL) in Laurel, Maryland, on behalf of NASA, took the image as Juice soared away from Earth. What it captured is invisible to the human eye. Unlike traditional cameras that rely on light, JENI uses special sensors to capture energetic neutral atoms emitted by charged particles interacting with the extended atmospheric hydrogen gas surrounding Earth. The JENI instrument is the newest generation of this type of camera, building on the success of a similar instrument on NASA’s Cassini mission that revealed the magnetospheres of Saturn and Jupiter.
An illustration showing the trajectory of ESA’s Juice spacecraft during its lunar-Earth gravity assist, featuring a high-resolution ENA image of the million-degree hot plasma halo encircling Earth captured by NASA’s JENI instrument. The white rings denote equatorial distance of 4 and 6 Earth radii. The inset showcases measurements taken by the NASA’s JENI and JoEE instruments during their passage through the radiation belts, revealing a highly structured energetic ion and electron environment. Credit: ESA/NASA/Johns Hopkins APL/Josh Diaz “As soon as we saw the crisp, new images, high fives went around the room,” said Matina Gkioulidou, deputy lead of JENI at APL. “It was clear we had captured the vast ring of hot plasma encircling Earth in unprecedented detail, an achievement that has sparked excitement for what is to come at Jupiter.”
On Aug. 19, JENI and its companion particle instrument Jovian Energetic Electrons (JoEE) made the most of their brief 30-minute encounter with the Moon. As Juice zoomed just 465 miles (750 kilometers) above the lunar surface, the instruments gathered data on the space environment’s interaction with our nearest celestial companion. It’s an interaction scientists expect to see magnified at Jupiter’s moons, as the gas giant’s radiation-rich magnetosphere barrels over them.
On Aug. 20, Juice hurled into Earth’s magnetosphere, passing some 37,000 miles (60,000 km) above the Pacific Ocean, where the instruments got their first taste of the harsh environment that awaits at Jupiter. Racing through the magnetotail, JoEE and JENI encountered the dense, lower-energy plasma characteristic of this region before plunging into the heart of the radiation belts. There, the instruments measured the million-degree plasma encircling Earth to investigate the secrets of plasma heating that are known to fuel dramatic phenomena in planetary magnetospheres.
“I couldn’t have hoped for a better flyby,” said Pontus Brandt, principal investigator of JoEE and JENI at APL. “The richness of the data from our deep-dive through the magnetosphere is astounding. JENI’s image of the entire system we just flew through was the cherry on top. It’s a powerful combination we will exploit in the Jovian system.”
Now after using the Moon’s and Earth’s gravity, Juice’s trajectory has been successfully adjusted for a future encounter with Venus in August 2025. That Venus flyby will serve as a gravitational slingshot, propelling Juice back toward Earth and priming it for two additional flybys in September 2026 and January 2029. Only then will the spacecraft, now boosted into high gear, make its grand arrival at Jupiter in July 2031.
The Johns Hopkins Applied Physics Laboratory, in Laurel, Maryland, manages the JoEE and JENI instruments, which together make up the Particle Environment Package (PEP-Hi) instrument suite, for NASA on ESA’s Juice mission. The JoEE and JENI instruments are part of the Solar System Exploration Program, managed at NASA’s Marshall Space Flight Center for the agency’s Science Mission Directorate in Washington.
For more information on NASA’s involvement with ESA’s Juice mission, visit:
https://science.nasa.gov/mission/juice/
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By NASA
As systems integration team lead for NASA’s Commercial Low Earth Orbit Development Program (CLDP), Hector Chavez helps build a future where NASA and private industry work together to push the boundaries of space exploration.
With the rise of commercial providers in the space sector, Chavez’s team works to ensure that these companies can develop end-to-end systems to support NASA’s low Earth orbit operations—from transporting crew and cargo to operating mission centers. His team’s role is to assess how commercial providers are using their systems engineering processes to achieve program goals and objectives.
Official portrait of Hector Chavez. NASA/David DeHoyos With a background that spans both the National Nuclear Security Administration and NASA, Chavez brings knowledge and insight into working with interdisciplinary teams to create complex, reliable systems. He has collaborated across organizations, contracts, and government to ensure design and operational improvements were carried out safely and reliably.
“Systems integration brings different systems together to deliver capabilities that can’t be achieved alone,” said Chavez.
His previous role in NASA’s Safety and Mission Assurance office deepened his expertise in mitigating technical risks in human spaceflight by integrating engineering, health, and safety considerations into the development of space exploration vehicles.
Hector Chavez and the team prepare to lift and install a receiver telescope assembly for the Optical Development System, used to test the alignment and performance of the optical systems for NASA’s Ice, Cloud, and land Elevation Satellite-2 mission, in a clean room at Goddard Space Flight Center in Greenbelt, Maryland.NASA Now with CLDP, Chavez helps these companies navigate NASA’s design processes without stifling innovation. “Our challenge is to communicate what we’ve identified during technical reviews without prohibiting commercial partners from developing innovative solutions,” he said.
One recent success was the team’s development of two technical standards for docking systems and payload interfaces that will help ensure these systems’ compatibility with existing technologies. This work is essential in allowing commercial low Earth orbit systems to seamlessly integrate with NASA’s heritage designs, a key step toward realizing the agency’s vision for sustained commercial operations in space.
When asked about the biggest opportunities and challenges in his role, Chavez emphasizes the importance of early collaboration. By engaging with commercial partners at the early stages of the system development life cycle, NASA can provide feedback that shapes the future of commercial low Earth orbit architecture.
“We identify technical issues and lessons learned without dictating design solutions, allowing for innovation while ensuring safety and reliability,” explained Chavez.
Hector Chavez receives an award from the U.S. Department of Energy. Chavez’s approach to leadership and teamwork is rooted in his values of perseverance, integrity, and encouragement. These principles have helped guide the development of CLDP’s mission and vision statements, creating an environment that promotes collaboration and creativity.
He is passionate about building a team culture where people feel empowered to take responsible risks and explore solutions.
Hector Chavez receives a Silver Snoopy Award with his family at NASA’s Johnson Space Center in Houston. NASA As NASA prepares for Artemis missions and the next generation of space explorers, Chavez offers advice to the Artemis Generation: “Never do it alone. Build a community and find common ground to share a vision.”
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By NASA
Manuel Retana arrived in the U.S. at 15 years old, unable to speak English and with nothing but a dream and $200 in his pocket. Now, he plays a crucial role implementing life support systems on spacecraft that will carry humans to the Moon and, eventually, Mars—paving the way for the next frontier of space exploration.
A project manager for NASA’s Johnson Space Center Life Support Systems Branch in Houston, Retana helps to ensure astronaut safety aboard the International Space Station and for future Artemis missions. His work involves tracking on-orbit technical issues, managing the cost and schedule impacts of flight projects, and delivering emergency hardware.
Manuel Retana stands in front of NASA’s Space Launch System rocket at Kennedy Space Center in Florida. One of his most notable achievements came during the qualification of the Orion Smoke Eater Filter for the Artemis II and III missions. The filter is designed to remove harmful gases and particulates from the crew cabin in the event of a fire inside the spacecraft. Retana was tasked with creating a cost-effective test rig – a critical step for making the filter safe for flight.
Retana’s philosophy is simple: “Rockets do not build themselves. People build rockets, and your ability to work with people will define how well your rocket is built.”
Throughout his career, Retana has honed his soft skills—communication, leadership, collaboration, and conflict resolution—to foster an environment of success.
Retana encourages his colleagues to learn new languages and share their unique perspectives. He even founded NASA’s first Mariachi ensemble, allowing him to share his cultural heritage in the workplace.
He believes diversity of thought is a key element in solving complex challenges as well as creating an environment where everyone feels comfortable sharing their perspectives.
“You need to be humble and have a willingness to always be learning,” he said. “What makes a strong team is the fact that not everyone thinks the same way.”
Manuel Retana, center, performs with the Mariachi Ensemble group at NASA’s Johnson Space Center in Houston. For the future of space exploration, Retana is excited about the democratization of space, envisioning a world where every country has the opportunity to explore. He is eager to see humanity reach the Moon, Mars, and beyond, driven by the quest to answer the universe’s most enigmatic questions.
To the Artemis Generation, he says, “Never lose hope, and it is never too late to start following your dreams, no matter how far you are.”
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