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By NASA
2 min read
Citizen Scientists Use NASA Open Science Data to Research Life in Space
2023 Workshop of Analysis Working Group members, Washington, D.C., November 14, 2023. Now, you are invited to join their quest to understand how life can thrive in deep space! Want to learn more first? Join our live virtual event April 17 at 3pm Eastern Time to hear an overview of the OSDR AWG’s operations. Photo: NASA OSDR Team How can life thrive in deep space? The Open Science Data Repository Analysis Working Groups invite volunteers from all backgrounds to help answer this question. Request to join these citizen science groups to help investigate how life adapts to space environments, exploring topics like radiation effects, microgravity’s impact on human and plant health, and how microbes change in orbit.
Currently, nine Analysis Working Groups (AWGs) hold monthly meetings to advance their specific focus areas. Participants collaborate using an online platform, the AWG “Forum-Space”, where they connect with peers and experts, join discussions, and contribute to over 20 active projects.
The AWGs work with data primarily from the NASA Open Science Data Repository (OSDR), a treasure trove of spaceflight data on physiology, molecular biology, bioimaging, and much more. For newcomers, there are tutorials and a comprehensive paper covering all aspects of the repository and the AWG community. You can explore 500+ studies, an omics multi-study visualization portal, the environmental data app, and RadLab, a portal for radiation telemetry data. (“Omics” refers to fields of biology that end in “omics,” like “genomics”.)
Each of the nine AWGs has a Lead who organizes their group and holds monthly virtual meetings. Once you join, make sure to connect with the Lead and get on the agenda so you can introduce yourself. Learn more about the AWGs here.
Have an idea for a new project? Propose a new project and help lead it! From data analysis and visualization to shaping data standards and conducting literature meta-analyses, there’s a place for everyone to contribute. Request to join, and together, we can address a great challenge for humanity: understanding and enabling life to thrive in deep space!
Want to learn more?
On April 17 at 3pm Eastern Time, the NASA Citizen Science Leaders Series is hosting an virtual event with Ryan Scott about these Analysis Working Groups and their work. Ryan is the Science Lead for the Ames Life Sciences Data Archive and the liaison between the Open Data Science Repository and the Analysis Working Groups. Click here to register for this event!
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Last Updated Apr 01, 2025 Related Terms
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By NASA
Explore This Section Webb News Latest News Latest Images Blog (offsite) Awards X (offsite – login reqd) Instagram (offsite – login reqd) Facebook (offsite- login reqd) Youtube (offsite) Overview About Who is James Webb? Fact Sheet Impacts+Benefits FAQ Science Overview and Goals Early Universe Galaxies Over Time Star Lifecycle Other Worlds Observatory Overview Launch Orbit Mirrors Sunshield Instrument: NIRCam Instrument: MIRI Instrument: NIRSpec Instrument: FGS/NIRISS Optical Telescope Element Backplane Spacecraft Bus Instrument Module Multimedia About Webb Images Images Videos What is Webb Observing? 3d Webb in 3d Solar System Podcasts Webb Image Sonifications Team International Team People Of Webb More For the Media For Scientists For Educators For Fun/Learning 6 Min Read NASA’s Webb Peers Deeper into Mysterious Flame Nebula
This collage of images from the Flame Nebula shows a near-infrared light view from NASA’s Hubble Space Telescope on the left, while the two insets at the right show the near-infrared view taken by NASA’s James Webb Space Telescope. Credits:
NASA, ESA, CSA, M. Meyer (University of Michigan), A. Pagan (STScI) The Flame Nebula, located about 1,400 light-years away from Earth, is a hotbed of star formation less than 1 million years old. Within the Flame Nebula, there are objects so small that their cores will never be able to fuse hydrogen like full-fledged stars—brown dwarfs.
Brown dwarfs, often called “failed stars,” over time become very dim and much cooler than stars. These factors make observing brown dwarfs with most telescopes difficult, if not impossible, even at cosmically short distances from the Sun. When they are very young, however, they are still relatively warmer and brighter and therefore easier to observe despite the obscuring, dense dust and gas that comprises the Flame Nebula in this case.
NASA’s James Webb Space Telescope can pierce this dense, dusty region and see the faint infrared glow from young brown dwarfs. A team of astronomers used this capability to explore the lowest mass limit of brown dwarfs within the Flame Nebula. The result, they found, were free-floating objects roughly two to three times the mass of Jupiter, although they were sensitive down to 0.5 times the mass of Jupiter.
“The goal of this project was to explore the fundamental low-mass limit of the star and brown dwarf formation process. With Webb, we’re able to probe the faintest and lowest mass objects,” said lead study author Matthew De Furio of the University of Texas at Austin.
Image A: Flame Nebula: Hubble and Webb Observations
This collage of images from the Flame Nebula shows a near-infrared light view from NASA’s Hubble Space Telescope on the left, while the two insets at the right show the near-infrared view taken by NASA’s James Webb Space Telescope. Much of the dark, dense gas and dust, as well as the surrounding white clouds within the Hubble image, have been cleared in the Webb images, giving us a view into a more translucent cloud pierced by the infrared-producing objects within that are young stars and brown dwarfs. Astronomers used Webb to take a census of the lowest-mass objects within this star-forming region.
The Hubble image on the left represents light at wavelengths of 1.05 microns (filter F105W) as blue, 1.3 microns (F130N) as green, and 1.39 microns (F129M) as red. The two Webb images on the right represent light at wavelengths of 1.15 microns and 1.4 microns (filters F115W and F140M) as blue, 1.82 microns (F182M) as green, 3.6 microns (F360M) as orange, and 4.3 microns (F430M) as red. NASA, ESA, CSA, M. Meyer (University of Michigan), A. Pagan (STScI) Smaller Fragments
The low-mass limit the team sought is set by a process called fragmentation. In this process large molecular clouds, from which both stars and brown dwarfs are born, break apart into smaller and smaller units, or fragments.
Fragmentation is highly dependent on several factors with the balance between temperature, thermal pressure, and gravity being among the most important. More specifically, as fragments contract under the force of gravity, their cores heat up. If a core is massive enough, it will begin to fuse hydrogen. The outward pressure created by that fusion counteracts gravity, stopping collapse and stabilizing the object (then known as a star). However, fragments whose cores are not compact and hot enough to burn hydrogen continue to contract as long as they radiate away their internal heat.
“The cooling of these clouds is important because if you have enough internal energy, it will fight that gravity,” says Michael Meyer of the University of Michigan. “If the clouds cool efficiently, they collapse and break apart.”
Fragmentation stops when a fragment becomes opaque enough to reabsorb its own radiation, thereby stopping the cooling and preventing further collapse. Theories placed the lower limit of these fragments anywhere between one and ten Jupiter masses. This study significantly shrinks that range as Webb’s census counted up fragments of different masses within the nebula.
“As found in many previous studies, as you go to lower masses, you actually get more objects up to about ten times the mass of Jupiter. In our study with the James Webb Space Telescope, we are sensitive down to 0.5 times the mass of Jupiter, and we are finding significantly fewer and fewer things as you go below ten times the mass of Jupiter,” De Furio explained. “We find fewer five-Jupiter-mass objects than ten-Jupiter-mass objects, and we find way fewer three-Jupiter-mass objects than five-Jupiter-mass objects. We don’t really find any objects below two or three Jupiter masses, and we expect to see them if they are there, so we are hypothesizing that this could be the limit itself.”
Meyer added, “Webb, for the first time, has been able to probe up to and beyond that limit. If that limit is real, there really shouldn’t be any one-Jupiter-mass objects free-floating out in our Milky Way galaxy, unless they were formed as planets and then ejected out of a planetary system.”
Image B: Low Mass Objects within the Flame Nebula in Infrared Light
This near-infrared image of a portion of the Flame Nebula from NASA’s James Webb Space Telescope highlights three low-mass objects, seen in the insets to the right. These objects, which are much colder than protostars, require the sensitivity of Webb’s instruments to detect them. These objects were studied as part of an effort to explore the lowest mass limit of brown dwarfs within the Flame Nebula.
The Webb images represent light at wavelengths of 1.15 microns and 1.4 microns (filters F115W and F140M) as blue, 1.82 microns (F182M) as green, 3.6 microns (F360M) as orange, and 4.3 microns (F430M) as red. NASA, ESA, CSA, STScI, M. Meyer (University of Michigan) Building on Hubble’s Legacy
Brown dwarfs, given the difficulty of finding them, have a wealth of information to provide, particularly in star formation and planetary research given their similarities to both stars and planets. NASA’s Hubble Space Telescope has been on the hunt for these brown dwarfs for decades.
Even though Hubble can’t observe the brown dwarfs in the Flame Nebula to as low a mass as Webb can, it was crucial in identifying candidates for further study. This study is an example of how Webb took the baton—decades of Hubble data from the Orion Molecular Cloud Complex—and enabled in-depth research.
“It’s really difficult to do this work, looking at brown dwarfs down to even ten Jupiter masses, from the ground, especially in regions like this. And having existing Hubble data over the last 30 years or so allowed us to know that this is a really useful star-forming region to target. We needed to have Webb to be able to study this particular science topic,” said De Furio.
“It’s a quantum leap in our capabilities between understanding what was going on from Hubble. Webb is really opening an entirely new realm of possibilities, understanding these objects,” explained astronomer Massimo Robberto of the Space Telescope Science Institute.
This team is continuing to study the Flame Nebula, using Webb’s spectroscopic tools to further characterize the different objects within its dusty cocoon.
“There’s a big overlap between the things that could be planets and the things that are very, very low mass brown dwarfs,” Meyer stated. “And that’s our job in the next five years: to figure out which is which and why.”
These results are accepted for publication in The Astrophysical Journal Letters.
Image C (Animated): Flame Nebula (Hubble and Webb Comparison)
This animated image alternates between a Hubble Space Telescope and a James Webb Space Telescope observation of the Flame Nebula, a nearby star-forming nebula less than 1 million years old. In this comparison, three low-mass objects are highlighted. In Hubble’s observation, the low-mass objects are hidden by the region’s dense dust and gas. However, the objects are brought out in the Webb observation due to Webb’s sensitivity to faint infrared light. NASA, ESA, CSA, Alyssa Pagan (STScI) The James Webb Space Telescope is the world’s premier space science observatory. Webb is solving mysteries in our solar system, looking beyond to distant worlds around other stars, and probing the mysterious structures and origins of our universe and our place in it. Webb is an international program led by NASA with its partners, ESA (European Space Agency) and CSA (Canadian Space Agency).
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Laura Betz – laura.e.betz@nasa.gov
NASA’s Goddard Space Flight Center, Greenbelt, Md.
Matthew Brown – mabrown@stsci.edu
Space Telescope Science Institute, Baltimore, Md.
Christine Pulliam – cpulliam@stsci.edu
Space Telescope Science Institute, Baltimore, Md.
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Last Updated Mar 10, 2025 Editor Marty McCoy Contact Laura Betz laura.e.betz@nasa.gov Related Terms
James Webb Space Telescope (JWST) Astrophysics Brown Dwarfs Goddard Space Flight Center Science & Research Star-forming Nebulae The Universe View the full article
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By NASA
3 min read
NASA Open Data Turns Science Into Art
Guests enjoy Beyond the Light, a digital art experience featuring open NASA data, at ARTECHOUSE in Washington, D.C. on September 19, 2023. NASA/Wade Sisler An art display powered by NASA science data topped the Salesforce Tower in San Francisco, CA throughout December 2024. Nightly visitors enjoyed “Synchronicity,” a 20-minute-long video art piece by Greg Niemeyer, which used a year’s worth of open data from NASA satellites and other sources to bring the rhythms of the Bay Area to life.
Data for “Synchronicity” included atmospheric data from NASA and NOAA’s GOES (Geostationary Operational Environmental Satellites), vegetation health data from NASA’s Landsat program, and the Sun’s extreme ultraviolet wavelengths as captured by the NASA and ESA (European Space Agency) satellite SOHO (Solar and Heliospheric Observatory). Chelle Gentemann, the program scientist for the Office of the Chief Science Data Officer within NASA’s Science Mission Directorate, advised Niemeyer on incorporating data into the piece.
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Greg Niemeyer’s “Synchronicity” was displayed on Salesforce Tower in San Francisco, CA, in December 2024. A recording of the piece on the tower’s display and the original animation are shown here. The video art piece was created using open NASA data, as well as buoy data from the National Oceanographic and Atmospheric Administration (NOAA). Greg Niemeyer/Emma Strebel “Artists have a lot to contribute to science,” Gentemann said. “Not only can they play a part in the actual scientific process, looking at things in a different way that will lead to new questions, but they’re also critical for getting more people involved in science.”
NASA’s history of engaging with artists goes back to the 1962 launch of the NASA Art Program, which partnered with artists in bringing the agency’s achievements to a broader audience and telling the story of NASA in a different and unexpected way. Artists such as Andy Warhol, Norman Rockwell, and Annie Leibovitz created works inspired by NASA missions. The Art Program was relaunched in September 2024 with a pair of murals evoking the awe of space exploration for the Artemis Generation.
The inaugural murals for the relaunched NASA Art Program appear side-by-side at 350 Hudson Street, Monday, Sept. 23, 2024, in New York City. The murals, titled “To the Moon, and Back,” were created by New York-based artist team Geraluz and WERC and use geometrical patterns to invite deeper reflection on the exploration, creativity, and connection with the cosmos. NASA/Joel Kowsky The use of NASA data in art pieces emerged a few decades after the NASA Art Program first launched. Several in-house agency programs, such as NASA’s Scientific Visualization Studio, create stunning animated works from science data. In the realm of audio, NASA’s Chandra X-ray Observatory runs the Universe of Sound project to convert astronomy data into “sonifications” for the public’s listening pleasure.
Collaborations with external artists help bring NASA data to an even broader audience. NASA’s commitment to open science – making it as easy as possible for the public to access science data – greatly reduces the obstacles for creatives looking to fuse their art with cutting-edge science.
Michelle Thaller, assistant director for science communication at Goddard, presents the “Pillars of Creation” in the Eagle nebula to the ARTECHOUSE team during a brainstorming session at Goddard. The left image is a view from the Hubble Space Telescope, and the right view is from the Webb telescope. NASA/Wade Sisler Another recent blend of NASA data and art came when digital art gallery ARTECHOUSE created “Beyond the Light,” a 26-minute immersive video experience featuring publicly available images from the James Webb Space Telescope and Hubble Space Telescope. The experience has been running at various ARTECHOUSE locations since September 2023. The massive potential for art to incorporate science data promises to fuel even more of these collaborations between NASA and artists in the future.
“One of the integral values of open science is providing opportunities for more people to participate in science,” Gentemann said. “I think that by getting the public interested in how this art is done, they also are starting to play with scientific data, maybe for the first time. In that way, art has the power to create new scientists.”
Learn more about open science at NASA at https://science.nasa.gov/open-science.
By Lauren Leese
Web Content Strategist for the Office of the Chief Science Data Officer
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By NASA
“People are excited and happy about working at Goddard,” said optics engineer Margaret Dominguez. “Most people are willing to put in the extra effort if needed. It makes work stimulating and exciting. Management really cares and the employees feel that too.”Credits: Courtesy of Margaret Dominguez Name: Margaret Dominguez
Formal Job Classification: Optical engineer
Organization: Code 551, Optics Branch, Instrument Systems and Technology Division, Engineering Directorate
What do you do and what is most interesting about your role here at Goddard? How do you help support Goddard’s mission?
I build space telescopes. I am currently working on building one of the components for the Wide Field Instrument for the Roman Space Telescope. The component is called “Grism.” A grism is a combination of a grating and a prism.
What is unique about your childhood?
I went to high school in Tecamachalco in Puebla, Mexico, which is inland and south of Mexico City. My father raised pigs, chickens, rabbits, and cows. I am the oldest of four girls and two still live on the farm.
Why did you become a physicist?
I was always curious and had a lot of questions and thought that physics helped me answer some of these questions. I was good at math and loved it. When I told my dad I wanted to study physics, he said that I would be able to answer any question in the universe. He thought it was very cool.
What is your educational background? How an internship help you come to Goddard?
I went to the Universidad de las Americas Puebla college in Puebla and got an undergraduate degree in physics. I was very active in extracurricular activities and helped organize a physics conference. We invited Dr. Johnathan Gardner, a Goddard astronomer, who came to speak at the conference. Afterwards I spoke with him and he asked me if I was interested in doing an internship at NASA. I said I had not considered it and would be interested in applying. I applied that same spring of 2008 and got a summer internship in the Optics Branch, where I am still working today.
My branch head at Goddard was a University of Arizona alumnus. He suggested that I apply to the University of Arizona for their excellent optics program. I did, and the university gave me a full fellowship for a master’s and a Ph.D. in optical sciences.
In 2014, I began working full time at Goddard while completing my Ph.D. I graduated in May 2019.
What makes Goddard special?
Goddard has a university campus feel. It’s a place where you can work and also just hang out and socialize. Goddard has many clubs, a gym, cafeterias, and a health clinic.
People are really nice here. They are often excited and happy about working at Goddard. Most people are willing to put in the extra effort if needed. It makes work stimulating and exciting. Management really cares and the employees feel that too.
What are some of the major projects you have worked on?
Early on, I did a little bit of work on Hubble and later on, NASA’s James Webb Space Telescope. Since 2014, I have exclusively been working on Roman. We are building the grism, a slitless spectrograph, which will measure galaxy redshifts to study dark energy.
Presently we are building different grism prototypes. We work with outside vendors to build these prototypes. When we make a prototype, we test it for months. After, we use the results to build an improved prototype. We just finished making the third prototype. We are going to build a flight instrument of which the grism is a component.
What is it like to work in the clean room?
It’s exciting – it likely means I am working on flight hardware. However, because clean rooms must be kept at about 68 degrees Fahrenheit, it can feel chilly in there!
Who are your mentors? What are the most important lessons they have taught you?
Ray Ohl, the head of the Optics Branch, is a mentor to me. He is always encouraging me to get outside my comfort zone. He presents other opportunities to me so that I can grow and listens to my feedback.
Cathy Marx, one of the Roman optical leads, is also a mentor to me. She created a support network for me and is a sounding board for troubleshooting any kind of work-related issues.
What is your role a member of the Hispanic Advisory Committee (HACE)?
I joined HACE in 2010 while I was an intern. It’s a great opportunity to network with other Hispanics and gives us a platform to celebrate specific events like Hispanic Heritage Month. I really enjoy participating in HACE’s events.
What outreach do you do? Why is doing outreach so important to you?
I do educational outreach to teach people about optics. I mainly collaborate with elementary and middle schools.
I think we need more future engineers and scientists. I want to help recruit them. I specifically focus on recruiting minorities and Hispanics. I can make a special connection with women and Hispanics.
Who is your science hero?
It would probably be Marie Curie. She’s the first woman to win a Nobel Prize, and she is the only woman to win two Nobel Prizes and she had to overcome a lot of challenges to achieve that.
What is your “six-word memoir”? A six-word memoir describes something in just six words.
Disciplined. Organized. Diligent. Passionate. Curious. Family-oriented.
Is there something surprising about your hobbies outside of work that people do not generally know?
I am a certified Jazzercise instructor – I normally teach two to three times a week. I can even teach virtually if need be. It is an hour-long exercise class combining strength training and cardio through choreographed dancing. We also use weights and mats.
I also enjoy going for walks with my husband, James Corsetti, who is also an engineer in the Optics Branch.
By Elizabeth M. Jarrell
NASA’s Goddard Space Flight Center, Greenbelt, Md.
Conversations With Goddard is a collection of Q&A profiles highlighting the breadth and depth of NASA’s Goddard Space Flight Center’s talented and diverse workforce. The Conversations have been published twice a month on average since May 2011. Read past editions on Goddard’s “Our People” webpage.
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By USH
A summer barbecue transformed into a nightmare when lightning split the sky above Somerset, England. Peter Williamson dashed across his rain-soaked lawn to rescue his terrified dog, unaware that his next step would carry him beyond the boundaries of our world.
His family watched in horror as a blinding flash illuminated his silhouette against the stormy sky. When their vision cleared, Peter had evaporated into thin air.
The police launched a search, but found no footprints, no scorch marks, and no explanation for how a man could disappear from a walled garden. Sixteen witnesses swore they watched him vanish in plain sight.
Three days passed before Peter materialized in his backyard, wearing unfamiliar clothes and carrying items that defied explanation. His memories painted a picture of a hospital that both existed and didn't exist, where reality shimmered like heat waves rising from summer pavement.
The investigation into his disappearance uncovered something extraordinary: evidence suggesting Peter had slipped through a crack between parallel universes.
A "crack between parallel universes" is a metaphorical concept in physics, often used to describe a hypothetical point or region where two separate parallel universes could potentially interact or intersect with each other, allowing for potential travel or communication between them.
If such a "crack" existed, it would likely demand extraordinarily extreme conditions, exactly the kind Peter Williamson encountered during his disappearance.
His impossible story forces us to question everything we think we know about the nature of reality.
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