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Behind the Spacecraft: Justyna Surowiec


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      The European Space Agency (ESA) has powered down its Gaia spacecraft after more than a decade spent gathering data that are now being used to unravel the secrets of our home galaxy.
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      Though the spacecraft’s operations are now over, the scientific exploitation of Gaia’s data has just begun.
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    • By NASA
      NASA/Brandon Torres Navarrete Engineers at NASA’s Ames Research Center in California’s Silicon Valley, Bohdan Wesely, right, and Eli Hiss, left, complete a fit check of the two halves of a space capsule that will study the clouds of Venus for signs of life.
      Led by Rocket Lab of Long Beach, California, and their partners at the Massachusetts Institute of Technology in Cambridge, Rocket Lab’s Venus mission will be the first private mission to the planet.
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    • By NASA
      3 min read
      Preparations for Next Moonwalk Simulations Underway (and Underwater)
      NASA’s Lucy spacecraft has its next flyby target, the small main belt asteroid  Donaldjohanson, in its sights. By blinking between images captured by Lucy on Feb. 20 and 22, this animation shows the perceived motion of Donaldjohanson relative to the background stars as the spacecraft rapidly approaches the asteroid.
      NASA’s Lucy spacecraft’s first views of the asteroid Donaldjohanson. The asteroid is circled on the left to guide the eye.NASA/Goddard/SwRI/Johns Hopkins APL Lucy will pass within 596 miles (960 km) of the 2-mile-wide asteroid on April 20. This second asteroid encounter for the Lucy spacecraft will serve as a dress-rehearsal for the spacecraft’s main targets, the never-before-explored Jupiter Trojan asteroids. Lucy already successfully observed the tiny main belt asteroid Dinkinesh and its contact-binary moon, Selam, in November 2023. Lucy will continue to image Donaldjohanson over the next two months as part of its optical navigation program, which uses the asteroid’s apparent position against the star background to ensure an accurate flyby.
      Donaldjohanson will remain an unresolved point of light during the spacecraft’s long approach and won’t start to show surface detail until the day of the encounter.
      From a distance of 45 million miles (70 million km), Donaldjohanson is still dim, though it stands out clearly in this field of relatively faint stars in the constellation of Sextans. Celestial north is to the right of the frame, and the 0.11-degree field of view would correspond to 85,500 miles (140,000 km) at the distance of the asteroid. In the first of the two images, another dim asteroid can be seen photobombing in the lower right quadrant of the image. However, just as the headlights of an approaching car often appear relatively stationary, Donaldjohanson’s apparent motion between these two images is much smaller than that of this interloper, which has moved out of the field of view in the second image.
      These observations were made by Lucy’s high-resolution camera, the L’LORRI instrument — short for Lucy LOng Range Reconnaissance Imager — provided by the Johns Hopkins Applied Physics Laboratory in Laurel, Maryland.
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      For more information about NASA’s Lucy mission, visit: https://www.nasa.gov/lucy
      By Katherine Kretke
      Southwest Research Institute
      Media Contact:
      Nancy N. Jones
      NASA’s Goddard Space Flight Center, Greenbelt, Md.
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      Last Updated Feb 25, 2025 Related Terms
      Lucy General Goddard Space Flight Center Planetary Science The Solar System Trojan Asteroids View the full article
    • By NASA
      Credit: NASA NASA’s Small Spacecraft Systems Virtual Institute (S3VI) is pleased to announce the official release of the highly anticipated 2024 State-of-the-Art Small Spacecraft Technology report. This significant accomplishment was made possible by the contributions of numerous dedicated people across NASA who graciously supported the preparation of the document as authors and reviewers. We also want to extend our gratitude to all the companies, universities, and organizations that provided content for this report.
      The 2024 report can be found online at https://www.nasa.gov/smallsat-institute/sst-soa. The report is also available in PDF format as a single document containing all report content as well as individual chapters available on their respective chapter webpages. This 2024 edition reflects updates in several chapters to include: the Formation Flying and Rendezvous and Proximity Operations section within the “Guidance, Navigation, and Control” chapter; the Additive Manufacturing section within the “Structures, Materials, and Mechanisms” chapter; the Free Space Optical Communications section within the “Communications” chapter; and the Hosted Orbital Services section within the “Complete Spacecraft Platforms” chapter.
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      Suggestions or corrections to the 2024 report toward a subsequent edition, should be submitted to the NASA Small Spacecraft Systems Virtual Institute Agency-SmallSat-Institute@mail.nasa.gov for consideration prior to the publication of the future edition. When submitting suggestions or corrections, please cite appropriate publicly accessible references. Private correspondence is not considered an adequate reference. Efforts are underway for the 2025 report and organizations are invited to submit technologies for consideration for inclusion by August 1, 2025.
      NASA’s Small Spacecraft Technology program within the Space Technology Mission Directorate funds the Small Spacecraft Systems Virtual Institute. 
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    • By NASA
      Ambiguity. 
      That’s the word that comes to mind when documentary photographers start each day at NASA’s Goddard Space Flight Center in Greenbelt, Maryland.
      PACE mission photographer Denny Henry and lead documentary photographer Desiree Stover pose for selfies in the clean room.Credits: NASA “You walk in and think one thing is happening,” said OCI’s lead documentary photographer Desiree Stover. “But in an instant things change – maybe goes wrong –- and you need to be ready to capture it.”
      From build to testing to launch, one figure is always present in the background capturing the story of each Goddard mission – the documentary photographer. 
      In honor of #WorldPhotoDay, follow along as two of our documentarians share what it’s like to capture the story of Goddard’s latest mission build PACE. 
      PACE or Plankton, Aerosol, Cloud, ocean Ecosystem, is set to launch in early 2024. Its goal is to see ocean and atmosphere features in unparalleled detail. By measuring the intensity of the color that reflects from Earth’s ocean surface, PACE will capture fine details about tiny plant-like organisms and algae that live in the ocean, called phytoplankton, that are the basis of the marine food web and generate half of Earth’s oxygen. 
      Crafting the Story
      For Stover and her partner Denny Henry, PACE’s lead mission photographer, the story starts with the smallest details. 
      “I think one of the first things I photographed was the outside of a circuit port box. It was literally an empty metal box,” said Henry, who started photographing PACE in 2020, right before the pandemic. “It might be small, but it’s part of a system that’s going to do big things.”
      Mark Walter, David Kim, Melyane Ortiz-acosta, and Ariel Obaldo discuss plans for testing the PACE flight Solar Array Panels.Credits: NASA’s Goddard Space Flight Center/Denny Henry A typical day for these photographers usually starts with a morning meeting, assignments and getting ready. By the end of the day, the original plan has likely been changed, multiple times.
      “Some days we might shoot eight photos, other days it might be hundreds or more,” Stover said.
      PACE, or Plankton, Aerosol, Cloud, ocean Ecosystem, is set to launch in early 2024. Its goal is to see ocean and atmosphere features in unparalleled detail.Credits: NASA Images captured during shoots are used for a variety of things, especially technical components of the mission. This includes documenting builds, spotting mistakes and testing. 
      Stover got her start at Goddard by photographing NASA’s James Webb Space Telescope before switching to capturing imagery of Goddard’s small instruments, including PACE’s Ocean Color Instrument, or OCI. This advanced sensor will enable continuous measurement of light throughout the ultraviolet to shortwave infrared spectrum to better understand Earth’s ocean and atmosphere.
      She says she’s still in awe that her teammates trust her “eye.”
      “One of the most fascinating things about working here is that we have a specific job,” she said. “And even though engineers can pick up a camera and take photos, they don’t. They know we’re the experts at it. They trust our eyes to tell and capture the story.”
      Henry said one of the most memorable days he’s documented so far was watching the PACE team integrate the SPEXone instrument into the spacecraft. 
      “All the partners were there as I photographed. It was a big deal,” he said. “I captured every bolt all the way to the mounting. It’s important to get these details. Six months from now someone who wasn’t there might want to see what was done in what order.”
      Henry said that capturing images is only part of the job. For every hour of shooting, there’s also an hour spent processing and working with partners to ensure things were documented correctly.
      Playing Detective
      While telling the story is important, Stover says that part of the job is speaking up, especially when you notice something wrong.
      During one assignment documenting vibration testing, Stover noticed that OCI’s Earth shade looked different.
      “We took the bagging off and could see tape peeling off the radiator panels, possibly loose wires in certain places,” she said. “When I saw this, I thought back to what it was like when we shot this the first time.”
      Physical Science Technician Kristen Washington performs a contamination inspection of the OCI Flight Fold Flat Mirror optic.Credits: Desiree Stover, NASA Goddard It’s common for the photographers to shoot things twice to examine how things might change when in testing. When Stover saw the tape, she got to work ensuring her hunch was right. 
      She sent a series of images to the thermal team lead letting him know what she found. Plans were already underway to change the design.
      The unexpected
      Stover and Henry agree that documenting missions has come with some interesting experiences.
      Both had to undergo fall protection harness training in the event they had to climb around one of Goddard’s cleanrooms, something that happened to Stover during one assignment.
      “Once I was up in Building 29’s high bay. Like up at the very top in the crane rafters shooting. I never thought I was afraid of heights until that moment,” she said. “But I focused on the image and what task I was accomplishing and completed the assignment without issue.”
      Henry said adjusting to Covid-19 required a lot of flexibility, especially with sudden changes.
      “This is not a job you can do from home,” he said. “After a few months, we adapted.”
      Radio Frequency testing of the PACE Earth Coverage Antenna in the Electromagnetic Anechoic Chamber at Goddard Space Flight Center.Credits: NASA’s Goddard Space Flight Center/Denny Henry Henry said that many times mission teams will find that engineering drawings won’t match up with what was actually built. With the pandemic restrictions, PACE heavily relied on his images to note how things changed and why issues occurred. 
      As PACE heads toward big milestones in the next year, both Stover and Henry are excited to see their work come together, including the day of launch.
      They both agreed that photographing the teams involved in each aspect of PACE’s build is especially rewarding as they help create mementos that go along with their mission’s story. 
      By: Sara Blumberg
      NASA’s Goddard Space Flight Center, Greenbelt, Md. 
      View the full article
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