Members Can Post Anonymously On This Site
UFO Fastwalker caught on motion activated camera
-
Similar Topics
-
By USH
During a live Fox News broadcast covering the intense Palisades wildfire in California, an unusual event captured viewers' attention. A camera aimed at the blazing inferno recorded a mysterious spherical object emerging suddenly from the middle of the flames. This object moved at a remarkable speed before vanishing over the treetops, leaving many wondering about its origin and purpose.
The object does not appear to be debris carried aloft by the fire’s updraft. Its trajectory and speed seem too controlled and deliberate to be a random effect of the wildfire. Additionally, the object shows no signs of explosion or disintegration, characteristics that might be expected if it were merely a piece of material affected by the intense heat.
Observers have ruled out common explanations such as birds, planes, or helicopters. The object’s rapid movement and apparent change in direction suggest advanced maneuverability, sparking comparisons to UFOs/UAPs.
With the growing number of reported sightings involving drones, orbs, and UFOs, the appearance of this potential UFO or drone in such an environment is especially intriguing. Could this object represent evidence of advanced technology monitoring Earth's natural disasters? Or is it an entirely natural but poorly understood phenomenon?
View the full article
-
By USH
During a recent interview, Darkjournalist Daniel Liszt lays out beyond critical information regarding the recent sightings of mystery drones across the U.S.
Here is a brief summary outlining the key points of what Darkjournalist believes is actually happen, according to his analysis.
The unfolding events surrounding the mystery drone swarms and UFO/Orb sightings appear to be part of a larger, coordinated operation led by covert organizations. At the heart of this situation, we see an apparent "dry run" for a massive UFO related event, something unprecedented in scale.
Two significant secret structures are operating in overdrive: the Continuity of Government (COG) framework, the Secret Space Program (SSP), and their affiliated Deep State entities.
Reports describe unidentified drones hovering over populated metropolitan areas, creating unease and confusion. These occurrences seem designed to provoke public panic and gauge reactions to aerial threats. This data mining effort aligns with a broader plan to cement the idea of a UFO threat in the collective consciousness.
The objective appears to involve large-scale public tests through overflights of drones to observe how communities respond to the perception of an "alien" threat. This effort dovetails with the government’s ability to invoke emergency powers, potentially leading to the activation of the Continuity of Government (COG) program.
In recent months, reports indicate that combatant commanders have been conducting drone tests under the guise of countering Unidentified Aerial Phenomena (UAP).
Historical patterns show that drills often precede major events. For example, during the events of 9/11, a drill reportedly transitioned into an actual crisis. The concern now is whether the current exercises, involving drones and UAP narratives, could similarly go live.
The recent increase in mystery drone sightings across the U.S. suggests a coordinated rollout of these narratives. There are rumors of additional drills, described as "full lockout" exercises, are scheduled to continue through the holiday season. These events involve the military taking over air traffic and communication systems for hours at a time.
NORAD and NORTHCOM are central to these operations. In an emergency scenario, the NORAD Commander—who also serves as the COG combatant commander—would assume control of the United States under the COG framework.
Insiders hint at a significant public spectacle on the horizon, with the possibility of transitioning from a test scenario to a live event. This could involve widespread sightings of drone swarms, coupled with UAP reports, creating a perceived crisis that demands emergency powers.
The recent drone and UFO/Orb activities reflect a calculated test by elements within the Deep State to shape public perception and readiness for a potential UFO-related crisis. These operations aim to solidify control and prepare the groundwork for leveraging emergency powers under a fabricated or exaggerated threat scenario.
In summary: The recent flurry of activities points to a deliberate effort to shape how we think and react to an extraterrestrial threat, real or not. At its core, this is a calculated test, designed to prepare the public for a potential UFO crisis where emergency powers could reshape the social and political landscape.
It might be a coincidence, but this year Congress passed a law granting NORTHCOM authority in the event drones are deemed a national security threat, potentially triggering the implementation of Continuity of Government (COG). This scenario could unfold before Trump’s inauguration, bypassing both Biden’s presidency and Trump’s assumption of office, leading instead to an emergency powers president.
This isn’t just about UFOs or drones, it's about power, perception, and control. The Deep State is losing its grip, pushing them to play their final card: a fake UFO invasion to maintain authority. This is why their once-hidden advanced technologies are now being revealed, indicating ongoing testing and strategic preparations. Evidence points to highly advanced drone technology, cutting edge tech designed to simulate a so-called "UFO threat."
So, the next time you glance up at the sky and spot something strange, remember: what you’re seeing might not be an alien invasion. It could be the latest move in a high-stakes chess game, played by forces that thrive in the shadows. View the full article
-
By NASA
9 Min Read Artemis in Motion Listening Sessions
The Earth and Moon appear side by side off in the distance while the Orion crew module is in the foreground. Credits: NASA Through Artemis in Motion Sessions, NASA Seeks Moon Storytelling Ideas
To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video
As NASA pioneers new technologies and methods for storytelling in space for the benefit of humanity, the agency is hosting Artemis in Motion listening sessions with industry on Thursday, Jan. 23, and Friday, Jan. 24, in Los Angeles.
From the live TV images of humanity’s first steps on the Moon in July of 1969 to the July 2024 two-way 4k transmissions between the International Space Station and an airborne platform, NASA and its partners work on the frontiers of the media landscape to share historic achievements in space exploration.
As part of its Artemis campaign, NASA will land the next American astronauts and first international astronaut on the Moon, explore more of the Moon than ever before, and more.
Through NASA’s listening sessions, invited participants will learn about the agency’s work to tell the Artemis Generation’s lunar exploration story, and discuss new opportunities to highlight the agency’s work.
Today’s advances in technology, storytelling, and production make it possible to share the experience of landing, living, and working on the Moon in ways never before possible. NASA wants to hear how participants would share the extraordinary story of sustained human presence and exploration throughout the solar system, which is rooted across three balanced pillars of science, inspiration, and national posture.
NASA’s OTPS (Office of Technology, Policy, and Strategy), Office of Communications, and the Exploration System Mission Directorate are organizing the sessions in coordination with Science Mission Directorate, and the Space Operations Mission Directorate.
Overview
With the Artemis campaign, NASA is returning to the Moon to discover the unknown, advance technology, and to learn how to live and work on another world as we prepare for human missions to Mars.
Artemis I successfully completed an uncrewed mission in 2022, and in 2026 Artemis II will next send four crew members to fly around the Moon. As early as mid-2027, Artemis III and subsequent missions will once again bring humans back to the surface of the Moon, landing for the first time where no people have been before: the lunar South Pole region. Like the historic Apollo landings 50 years ago, these missions to the surface of the Moon will provide unparalleled opportunities for motion imagery to inspire and ignite the imagination of people around the world.
NASA and its commercial partners will have integrated cameras on human landing systems and spacesuits, as well as each astronaut carrying their own handheld camera. But we know the modern age offers many creative ways to share these moments, ways to let each of us “ride along” with the crew. NASA is calling on media producers and distributors, studios, imagery companies, space companies, academia, and other interested parties to share their ideas directly with NASA leadership.
Each participant will be asked to make a 30-minute presentation to be delivered in a one-on-one session to the NASA team. Concepts should focus on the Artemis III-V missions (for more on each Artemis missions see NASA’s Moon to Mars Architecture), particularly the time they will spend on the lunar surface. NASA has particular interest in information that informs three key questions:
What could supplement NASA’s planned acquisition, communication, distribution, etc. of lunar imagery? (See the FAQ section for an overview of our current plans.) What could be done with the video, photography, and telemetry from the mission(s) to creatively share the return of humans to the Moon in unique and compelling ways? How could NASA collaborate with your organization to help NASA tell the story of Artemis in a unique way? There are no associated activities (e.g., procurement, cooperative agreement, Space Act agreement, etc.) planned at this time.
Session Details
Beyond the in-person events already planned and depending on demand, NASA may offer additional virtual sessions the week of February 3rd. The agency also is engaging the entertainment community through a private panel presentation at the Motion Picture Academy.
If space allows, participants will be invited to attend an information session on the Artemis campaign and its motion imagery opportunities the morning of Jan. 23. We will provide more information on the optional briefing upon RSVP.
Organizations interested in booking a listening session should email their request to: hq-dl-artemis-in-motion@mail.nasa.gov with the following information by Monday, Jan. 13:
Organization name Participant name(s) – limit to three Point of contact email and phone number Request for in-person or virtual session NASA will set the session schedule and contact organizations directly to confirm all details. No slide decks or digital presentations are permitted during the sessions, although you may bring printed materials.
Please do not share confidential or proprietary information during the sessions. We will not record the sessions, however, NASA staff may take notes.
For more information on the Artemis in Motion listening sessions, please read our FAQ section below. You may send additional questions or requests for guidance on your presentation to hq-dl-artemis-in-motion@mail.nasa.gov. Please note we may add your questions to the FAQ below if deemed helpful to other participants.
Artemis in Motion Listening Sessions FAQ
Q: Does NASA have any specific opportunities it is seeking ideas for?
A: NASA is looking to explore the art of the possible in ideas that supplement, improve, or expand the use of imagery from the lunar surface, and will accept any information on ideas that forward the story of Artemis and that adheres with NASA’s principles. The following list of potential opportunities are examples of what may interest the listening team. These are examples only and not meant to restrict the scope of presentations.
A deployable or separately landed camera system for third-person point-of-view imagery from the lunar surface.
A deployable or separately landed camera system for third-person point-of-view imagery from the lunar surface. Non-traditional imagery options including virtual reality, augmented reality, and similar immersive technologies. Collaboration with the NASA+ team to stream a live event to a very large audience. A TV series or production leading up to and around the Artemis missions. An efficient, space-rated encoder to transmit live, high-quality video from the HULC (Handheld Universal Lunar Camera), a ruggedized version of the Nikon Z9. Processing techniques to increase data throughput or recall for ground operations. An approach to increasing the bandwidth available to downlink more or higher quality videos. Q: What sources of imagery does NASA already plan to have on the lunar surface?
A: NASA expects to have access to at least three sources of imagery on the lunar surface:
External and internal video cameras mounted on the Human Landing System. A video camera mounted on each astronaut suit, providing the perspective of the crew members during EVA. The HULC (a modified Nikon Z 9) that will be carried by each crew member to provide real-time photography. These sources will offer a variety of perspectives, including live video up to UHD resolution. Video will be standard 16:9 format; there are no current plans for stereoscopic video, 360-degree cameras, or spatial video/audio.
NASA currently plans to stream live content via its NASA+ platform as an over-the-top service, as well as provide a backhaul feed to the media. It will also archive and release the photography and video, including any imagery returned from the Moon later with the crew.
Q: How would additional imagery be routed on the Moon and back to Earth?
A: NASA imagery will be routed through the Human Landing System and then downlinked to Earth via the Deep Space Network (DSN). Equipment on the surface of the Moon will transmit imagery to the Human Landing System via Wi-Fi; Artemis III may also include a development test objective for a 4G/LTE connection. We expect limited data bandwidth for any non-critical video links, ranging from single-digit to low double-digit megabits per second. It could be possible for solutions to support increased bandwidth by supporting downlink direct to Earth or through a lunar relay system.
Q: What is the weight limit for new systems brought to the Moon?
A: While there isn’t a specific weight limit, additional imagery systems ideally are low in mass, size, weight, power, and bandwidth due to the limited capacity for the early Artemis missions.
Q: Can an organization propose a production or solution for which they would have exclusive rights?
A: NASA has previously entered into content agreements with organizations that involve some level of exclusivity. However, NASA seeks to benefit all humanity and especially desires solutions that can be shared with the widest possible audience.
Q: Can an organization propose a production that involves content before and after the mission such as content with crew members?
A: Yes. NASA expects the story of a mission to not just include the time on the Moon, but the launch and splashdown; the story of the Artemis campaign to not just include the mission itself but the engineering, the training, the uncrewed test flights, and their impact.
Q: Are listening sessions open to organizations outside the United States?
A: Yes, participation by international entities is encouraged. International space agencies interested in discussing opportunities are encouraged to reach out directly to hq-dl-artemis-in-motion@mail.nasa.gov.
Q: Can NASA help certify or design the hardware for use on the Lunar Surface?
A: Any hardware would need to meet the NASA interface and safety requirements to fly. The specifics of those interfaces, as well as the possibility of NASA support in meeting them, would be discussed in any follow-on discussions or solicitations. (As a reminder, NASA is also interested in concepts that do not require providing and flying new hardware.)
Q: Must any solution be completely autonomously operated or could it link to a suit or the Human Landing System for data and power and/or be operated by a crew member?
A: A solution could provide its own communication system or it could route data transmission to and through the Human Landing System, which could be done via Wi-Fi (Artemis III may also include a development test objective for a 4G/LTE connection). Routing data through or getting power from the suit is likely to not be a feasible option. Crew may be able to set up a camera on the lunar surface, but crew time is too constrained to expect the crew to continue to operate the camera. Human Landing System support for providing power for or exchanging commands with a payload would need to be evaluated on a case-by-case basis.
Q: Will information from the presentations be shared?
A: NASA does not intend to share information from the individual sessions outside of the agency.
Share
Details
Last Updated Dec 11, 2024 EditorBill Keeter Related Terms
Office of Technology, Policy and Strategy (OTPS) View the full article
-
By USH
A security camera recently captured an eerie scene that has left people intrigued and spooked. In the footage, recorded at dawn, a mysterious figure dressed in white appears near a large vehicle. What makes the video even stranger is the reaction of two nearby dogs, who seem unusually distressed and unsettled by the presence.
While the exact location in Mexico where this happened hasn’t been confirmed, many are already speculating about the figure’s identity. Some believe it could be La Llorona, the legendary weeping woman from Mexican folklore. La Llorona is said to wander in sorrow, mourning her lost children, and has been the focus of countless ghost stories over the years.
Others have suggested a different explanation, claiming the figure resembles a "nightcrawler," a strange cryptid reportedly known for its bizarre appearance.
Skeptics, however, argue that it might just be a person caught in an unusual moment, and the dogs’ reactions could be explained by their heightened senses picking up on something out of the ordinary. Still, the dogs' unsettling behavior has sparked debate about whether the encounter might have been something paranormal.
For now, the true nature of the figure remains a mystery. View the full article
-
By USH
Many unusual phenomena are witnessed in the sky, ranging from UFOs and mysterious orbs to figures from parallel universes. One notable incident occurred during a recent thunderstorm from an unknown location when amidst the raging storm, a powerful flash of lightning illuminates the night sky, revealing the haunting silhouette of a demon, caught mid-air.
While this eerie vision was likely a result of the lightning itself, some claim it resembled Raijin, the Shinto god of lightning and thunder, a chaotic being born of death who brings the world vital rains as well as chaos and destruction .
Regardless of the true nature of this event, it serves as a reminder that countless mysterious phenomena exist on and around our planet. Whether tied to the afterlife, parallel universes, intelligent extraterrestrial life, or folklore with roots in truth, most of these occurrences remain unexplained.
Link to the short video posted on TikTok:https://www.tiktok.com/@nc_batman_official/video/7417359739828440351/ View the full article
-
-
Check out these Videos
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.