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By NASA
3 min read
NASA Open Data Turns Science Into Art
Guests enjoy Beyond the Light, a digital art experience featuring open NASA data, at ARTECHOUSE in Washington, D.C. on September 19, 2023. NASA/Wade Sisler An art display powered by NASA science data topped the Salesforce Tower in San Francisco, CA throughout December 2024. Nightly visitors enjoyed “Synchronicity,” a 20-minute-long video art piece by Greg Niemeyer, which used a year’s worth of open data from NASA satellites and other sources to bring the rhythms of the Bay Area to life.
Data for “Synchronicity” included atmospheric data from NASA and NOAA’s GOES (Geostationary Operational Environmental Satellites), vegetation health data from NASA’s Landsat program, and the Sun’s extreme ultraviolet wavelengths as captured by the NASA and ESA (European Space Agency) satellite SOHO (Solar and Heliospheric Observatory). Chelle Gentemann, the program scientist for the Office of the Chief Science Data Officer within NASA’s Science Mission Directorate, advised Niemeyer on incorporating data into the piece.
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Greg Niemeyer’s “Synchronicity” was displayed on Salesforce Tower in San Francisco, CA, in December 2024. A recording of the piece on the tower’s display and the original animation are shown here. The video art piece was created using open NASA data, as well as buoy data from the National Oceanographic and Atmospheric Administration (NOAA). Greg Niemeyer/Emma Strebel “Artists have a lot to contribute to science,” Gentemann said. “Not only can they play a part in the actual scientific process, looking at things in a different way that will lead to new questions, but they’re also critical for getting more people involved in science.”
NASA’s history of engaging with artists goes back to the 1962 launch of the NASA Art Program, which partnered with artists in bringing the agency’s achievements to a broader audience and telling the story of NASA in a different and unexpected way. Artists such as Andy Warhol, Norman Rockwell, and Annie Leibovitz created works inspired by NASA missions. The Art Program was relaunched in September 2024 with a pair of murals evoking the awe of space exploration for the Artemis Generation.
The inaugural murals for the relaunched NASA Art Program appear side-by-side at 350 Hudson Street, Monday, Sept. 23, 2024, in New York City. The murals, titled “To the Moon, and Back,” were created by New York-based artist team Geraluz and WERC and use geometrical patterns to invite deeper reflection on the exploration, creativity, and connection with the cosmos. NASA/Joel Kowsky The use of NASA data in art pieces emerged a few decades after the NASA Art Program first launched. Several in-house agency programs, such as NASA’s Scientific Visualization Studio, create stunning animated works from science data. In the realm of audio, NASA’s Chandra X-ray Observatory runs the Universe of Sound project to convert astronomy data into “sonifications” for the public’s listening pleasure.
Collaborations with external artists help bring NASA data to an even broader audience. NASA’s commitment to open science – making it as easy as possible for the public to access science data – greatly reduces the obstacles for creatives looking to fuse their art with cutting-edge science.
Michelle Thaller, assistant director for science communication at Goddard, presents the “Pillars of Creation” in the Eagle nebula to the ARTECHOUSE team during a brainstorming session at Goddard. The left image is a view from the Hubble Space Telescope, and the right view is from the Webb telescope. NASA/Wade Sisler Another recent blend of NASA data and art came when digital art gallery ARTECHOUSE created “Beyond the Light,” a 26-minute immersive video experience featuring publicly available images from the James Webb Space Telescope and Hubble Space Telescope. The experience has been running at various ARTECHOUSE locations since September 2023. The massive potential for art to incorporate science data promises to fuel even more of these collaborations between NASA and artists in the future.
“One of the integral values of open science is providing opportunities for more people to participate in science,” Gentemann said. “I think that by getting the public interested in how this art is done, they also are starting to play with scientific data, maybe for the first time. In that way, art has the power to create new scientists.”
Learn more about open science at NASA at https://science.nasa.gov/open-science.
By Lauren Leese
Web Content Strategist for the Office of the Chief Science Data Officer
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Last Updated Feb 26, 2025 Related Terms
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By NASA
The four crew members of NASA’s SpaceX Crew-9 mission, including NASA astronauts Nick Hague, Suni Williams, and Butch Wilmore, along with Roscosmos cosmonaut Aleksandr Gorbunov, pose for a photo aboard the International Space StationNASA Media are invited to hear from NASA’s SpaceX Crew-9 astronauts during a news conference beginning at 11:55 a.m. EST, Tuesday, March 4, from the International Space Station.
NASA astronauts Nick Hague, Suni Williams, and Butch Wilmore will discuss their return to Earth on NASA+. Learn how to watch NASA content through a variety of platforms, including social media.
Media interested in participating must contact the newsroom at NASA’s Johnson Space Center in Houston no later than 5 p.m. Monday, March 3, at 281-483-5111 or jsccommu@mail.nasa.gov. To ask questions, media must dial into the news conference no later than 15 minutes prior to the start of the call. A copy of NASA’s media accreditation policy is online. Questions also may be submitted on social media using #AskNASA.
Crew-9 contributed to hundreds of scientific experiments, including swabbing the station’s exterior for microbes, printing 3D medical devices, and studying how moisture, orbital altitude, and ultraviolet light affect plant growth.
The crew will depart the space station after the arrival of Crew-10 and a short handover period. Ahead of Crew-9’s return, mission teams will review weather conditions at the splashdown sites off the coast of Florida prior to departure from station.
The mission is part of NASA’s Commercial Crew Program, which provides reliable access to space, maximizing the use of the station for research and development and supporting future missions beyond low Earth orbit by partnering with private companies to transport astronauts to and from the space station.
Follow updates on the Crew-9 mission at:
https://www.nasa.gov/station
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Joshua Finch / Jimi Russell
Headquarters, Washington
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joshua.a.finch@nasa.gov / james.j.russell@nasa.gov
Courtney Beasley
Johnson Space Center, Houston
281-483-5111
courtney.m.beasley@nasa.gov
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Last Updated Feb 26, 2025 LocationNASA Headquarters Related Terms
Humans in Space Astronauts Barry E. Wilmore International Space Station (ISS) Sunita L. Williams
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By NASA
3 min read
Preparations for Next Moonwalk Simulations Underway (and Underwater)
NASA’s F-15D research aircraft is positioned adjacent to the X-59 during electromagnetic compatibility testing at U.S. Air Force Plant 42 in Palmdale, California. Researchers activated the F-15D’s radar, C-band transponder, and radios at different distances from the X-59 to evaluate potential electromagnetic interference with the aircraft’s flight-critical systems, ensuring the X-59 can operate safely with other aircraft. These tests showed that the aircraft’s integration is maturing and cleared a major hurdle that moves it one step closer to first flight.NASA/Carla Thomas NASA’s quiet supersonic X-59 research aircraft has cleared electromagnetic testing, confirming its systems will work together safely, without interference across a range of scenarios.
“Reaching this phase shows that the aircraft integration is advancing,” said Yohan Lin, NASA’s X-59 avionics lead. “It’s exciting to see the progress, knowing we’ve cleared a major hurdle that moves us closer to X-59’s first flight.”
Electromagnetic interference occurs when an electric or magnetic field source affects an aircraft’s operations, potentially impacting safety. This interference, whether from an external source or the aircraft’s own equipment, can disrupt the electronic signals that control critical systems – similar to effects that lead to static or crackling on a radio from a nearby emitting device, like a phone.
The tests, conducted at contractor Lockheed Martin Skunk Works’ facility in Palmdale, California, ensured that the X-59’s onboard systems – such as radios, navigation equipment, and sensors – did not interfere with one another or cause unexpected problems. During these tests, engineers activated each system on the aircraft one at a time while they monitored the other systems for possible interference.
NASA’s X-59 quiet supersonic research aircraft successfully completed electromagnetic interference (EMI) testing at Lockheed Martin Skunk Works in Palmdale, California. During EMI tests, the team examined each of the X-59’s internal electronic systems, ensuring they worked with one another without interference. The X-59 is designed to fly faster than the speed of sound while reducing the loud sonic boom to a quieter sonic thump.NASA/Carla Thomas “This testing helped us determine whether the systems within the X-59 are interfering with each other,” Lin said. “It’s called a source-victim test – essentially, we activate one system and monitor the other for issues like noise, glitches, faults, or errors.”
The X-59 will generate a quieter thump rather than a loud boom while flying faster than the speed of sound. The aircraft is the centerpiece of NASA’s Quesst mission, which will provide regulators with information that could help lift current bans on commercial supersonic flight over land. Currently, the aircraft is progressing through ground tests to ensure safety and performance. These included the recent, successful completion of a set of engine tests. The electromagnetic interference testing to examine the X-59’s internal electronic systems followed.
Other electromagnetic interference testing involved the team looking at the operation of the X-59’s landing gear, ensuring this critical component can extend and retract without affecting other systems. And they tested that the fuel switch shutoff was functioning properly without interference.
Electromagnetic compatibility was also assessed during this testing – making sure the X-59’s systems will function properly when it eventually flies near NASA research aircraft.
NASA test pilot Jim Less prepares to exit the cockpit of the quiet supersonic X-59 aircraft in between electromagnetic interference (EMI) testing. The EMI testing ensures an aircraft’s systems function properly under various conditions of electromagnetic radiation. The X-59 is the centerpiece of the NASA’s Quesst mission, designed to demonstrate quiet supersonic technology and provide data to address a key barrier to commercial supersonic travel.NASA/Carla Thomas Researchers staged the X-59 on the ground in front of NASA’s F-15D, placing them 47 feet apart, then 500 feet apart. The proximity of the two aircraft replicated conditions needed for the F-15D to use a special probe to gather measurements about the shock waves the X-59 will produce.
“We want to confirm there’s compatibility between the two aircraft, even at close proximity,” Lin said.
For the electromagnetic compatibility testing, the team powered up the X-59’s engine while turning on the F-15D’s radar, C-band radar transponder, and radios. Data from the X-59 were transmitted to NASA’s Mobile Operations Facility, where control room staff and engineers monitored for anomalies.
“You want to make discoveries of any potential electromagnetic interference or electromagnetic compatibility issues on the ground first,” Lin said. “This reduces risk and ensures we’re not learning about problems in the air.”
Now that electromagnetic testing is complete, the X-59 is ready to move on to aluminum bird tests – during which data will be fed to the aircraft on the ground under both normal and failure conditions – and then taxi tests before flight.
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Last Updated Feb 25, 2025 EditorDede DiniusContactNicolas Cholulanicolas.h.cholula@nasa.govLocationArmstrong Flight Research Center Related Terms
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