Jump to content

Recommended Posts

  • Publishers
Posted
A man with dark hair kneels next to a large LEGO sculpture of an orange and white cartoon cat.
“Data visualization has recently exploded as a communication tool,” said Mark SubbaRao, information technology specialist and lead for NASA’s Scientific Visualization Studio. “As data becomes bigger and more complex, visualization becomes an even more important tool for understanding that data.”
Rachel Connolly / Courtesy of Mark SubbaRao

Name: Mark SubbaRao

Title: Lead, Scientific Visualization Studio (SVS)

Formal Job Classification: Information Technology Specialist

Organization: SVS, Science Mission Directorate (Code 606.4)

What do you do and what is most interesting about your role here at Goddard? How do you help support Goddard’s mission?

I have an amazing job. I get to work with all the most interesting NASA science and make it visual to help people can understand it. The Scientific Visualization Studio, the SVS, supports all of NASA and is located at Goddard.

What is your educational background?

I have B.S. in engineering physics, minor in astronomy, from Lehigh University in Bethlehem, Pennsylvania. I have a Ph.D. in astrophysics from Johns Hopkins University.

What is data visualization? How is it different from animation?

Data visualization is the graphical representation of actual data (in our case usually scientific data). At its most basic it takes the forms of charts, graphs, and maps. In contrast, conceptual animation, such as the work of our colleagues in the CI Lab, is the graphical representation of ideas. Conceptual animation and data visualization are both needed to communicate the full scientific process.

How did your work for the University of Chicago develop your interest in visualization?

I worked on software for the Sloan Digital Sky Survey, a project to create the biggest 3D map of the universe. Our goal was to map 3D positions of a million galaxies, which we did. My role was to develop the software to determine the distance to galaxies. To see the result we needed a way to see how the galaxies were distributed in 3D, which led to my interest in visualization.

Viewing this map, I felt like we had revealed a new world which no one had yet seen altogether. The desire to share that with the public led me a position at the Adler Planetarium in Chicago.

A large building with many windows is covered by a projection of an art piece. The art shows a globe with a horse and other animals in the center, and figures on either side of the globe.
“Astrographics,” a video piece Mark SubbaRao produced for the Adler Planetarium, being projected on the Merchandise Mart on the Chicago riverfront.
Michael SubbaRao / Courtesy of Mark SubbaRao

How did planetariums evolve during your 18 years of working for the Adler Planetarium?

I led their visualization efforts for their Space Visualization Laboratory, a laboratory that was on the museum floor and had multiple specialized displays. The local scientific community used our laboratory to present to the public including other scientists and students.

I also produced planetarium shows and designed exhibits. My last project, “Astrographics” for Art on the Mart, was a 2.6-acre, outdoor projection onto a building near the Chicago River. We believe that this is the largest, permanent outdoor digital projection in the world.

I began to see the power of the planetarium as a data visualization environment. Traditionally, a planetarium has been a place to project stars and tell stories about constellations. Planetariums have now evolved into a general-purpose visualization platform to communicate science.

I got more involved with the planetarium community, which led to me becoming president of the International Planetarium Society. A major focus of my presidency was promoting planetariums in Africa.

Why did you come to NASA’s SVS at Goddard?

I came to Goddard in December 2020. I always admired NASA’s SVS and had used their products. I consider the SVS the preeminent group using scientific visualization for public communication.

I wanted to work on visualizations for a broader variety of sciences, in particular, climate science. Our group created visualizations for the United Nations Climate Conference (COP26) in Glasgow, Scotland, the fall of 2021. In March 2022, I created a visualization called Climate Spiral, which went viral.

This visualization shows monthly global temperature anomalies (changes from an average) between the years 1880 and 2021. Whites and blues indicate cooler temperatures, while oranges and reds show warmer temperatures.
Credits: NASA’s Goddard Space Flight Center / NASA’s Scientific Visualization Studio
Download high-resolution video and images from NASA’s Scientific Visualization Studio

As the lead, how do you hope to inspire your group?

Our group is very talented, experienced, and self-motivated. Data visualization has recently exploded as a communication tool. Our goal is to continue to stay on top of this rapidly evolving field. Coupled with this, there has been an explosion in scientific data from satellites and super computers. As data becomes bigger and more complex, visualization becomes an even more important tool for understanding that data.

A woman with dark hair and glasses stands in front of a data visualization of carbon dioxide. The visual is a flat map of the Earth, with swirling clouds of orange and red depicting carbon dioxide.
Karen St. Germain, NASA’s Director of Earth Science, presenting an SVS visualization of carbon dioxide to the 2021 United Nations Climate Change Conference in Glasgow, Scotland.
Download high-resolution video and images from NASA’s Scientific Visualization Studio: https://svs.gsfc.nasa.gov/31168
NASA’s Goddard Space Flight Center / NASA’s Scientific Visualization Studio

Your work combines art and science. What are the benefits of combining art and science?

One huge benefit is that you can reach people through an artistic visual presentation of science who may not be interested in simply reading an article. You can go beyond teaching people, you can move them emotionally through a good, artistic presentation.

For example, in “Climate Spiral,” we did not want to just inform people that global average temperatures have increased, we wanted people to feel that the temperature has increased.

Also, our universe is just beautiful. Why not let the beauty of the universe create something artistic for you? I sometimes feel like I cheat by letting the universe do my design for me.

What do you do for fun?

Since moving to Maryland, and living near the Chesapeake Bay, I have taken up stand up paddleboarding. I like to cook too. My father is Indian, so I cook a lot of Indian food.

Who inspires you?

Arthur C. Clarke, the science fiction writer, also wrote a lot of popular science. He played a big part in my decision to become a scientist.

A graphic with a collection of people's portraits grouped together in front of a soft blue galaxy background. The people come from various races, ethnicities, and genders. A soft yellow star shines in the upper left corner, and the stylized text u0022Conversations with Goddardu0022 is in white on the far right.

Conversations With Goddard is a collection of Q&A profiles highlighting the breadth and depth of NASA’s Goddard Space Flight Center’s talented and diverse workforce. The Conversations have been published twice a month on average since May 2011. Read past editions on Goddard’s “Our People” webpage.

By Elizabeth M. Jarrell
NASA’s Goddard Space Flight Center, Greenbelt, Md.

Share

Details

Last Updated
Feb 10, 2025
Editor
Jessica Evans
Contact

View the full article

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Similar Topics

    • By European Space Agency
      The European Space Agency (ESA) and the International Committee of the Red Cross (ICRC) have signed a Memorandum of Intent (MoI) to harness space technology for humanitarian assistance worldwide. The partnership will combine ESA's space expertise with ICRC's humanitarian reach to develop space-enabled solutions that can help protect and assist communities affected by disasters and conflicts across Europe and beyond.
      View the full article
    • By NASA
      Credit: NASA NASA’s Small Spacecraft Systems Virtual Institute (S3VI) is pleased to announce the official release of the highly anticipated 2024 State-of-the-Art Small Spacecraft Technology report. This significant accomplishment was made possible by the contributions of numerous dedicated people across NASA who graciously supported the preparation of the document as authors and reviewers. We also want to extend our gratitude to all the companies, universities, and organizations that provided content for this report.
      The 2024 report can be found online at https://www.nasa.gov/smallsat-institute/sst-soa. The report is also available in PDF format as a single document containing all report content as well as individual chapters available on their respective chapter webpages. This 2024 edition reflects updates in several chapters to include: the Formation Flying and Rendezvous and Proximity Operations section within the “Guidance, Navigation, and Control” chapter; the Additive Manufacturing section within the “Structures, Materials, and Mechanisms” chapter; the Free Space Optical Communications section within the “Communications” chapter; and the Hosted Orbital Services section within the “Complete Spacecraft Platforms” chapter.
      As in previous editions, the report contains a general overview of current state-of-the-art SmallSat technologies and their development status as discussed in open literature. The report is not intended to be an exhaustive representation of all technologies currently available to the small spacecraft community, nor does the inclusion of technologies in the report serve as an endorsement by NASA. Sources of publicly available date commonly used as sources in the development of the report include manufacturer datasheets, press releases, conference papers, journal papers, public filings with government agencies, and news articles. Readers are highly encouraged to reach out to companies for further information regarding the performance and maturity of described technologies of interest. During the report’s development, companies were encouraged to release test information and flight data when possible so it may be appropriately captured. It should be noted that technology maturity designations may vary with change to payload, mission requirements, reliability considerations, and the associated test/flight environment in which performance was demonstrated.
      Suggestions or corrections to the 2024 report toward a subsequent edition, should be submitted to the NASA Small Spacecraft Systems Virtual Institute Agency-SmallSat-Institute@mail.nasa.gov for consideration prior to the publication of the future edition. When submitting suggestions or corrections, please cite appropriate publicly accessible references. Private correspondence is not considered an adequate reference. Efforts are underway for the 2025 report and organizations are invited to submit technologies for consideration for inclusion by August 1, 2025.
      NASA’s Small Spacecraft Technology program within the Space Technology Mission Directorate funds the Small Spacecraft Systems Virtual Institute. 
      View the full article
    • By NASA
      5 min read
      Preparations for Next Moonwalk Simulations Underway (and Underwater)
      NASA’s SPHEREx mission will survey the Milky Way galaxy looking for water ice and other key ingredients for life. In the search for these frozen compounds, the mission will focus on molecular clouds — collections of gas and dust in space — like this one imaged by the agency’s James Webb Space Telescope. NASA, ESA, CSA Where is all the water that may form oceans on distant planets and moons? The SPHEREx astrophysics mission will search the galaxy and take stock.
      Every living organism on Earth needs water to survive, so scientists searching for life outside our solar system, are often guided by the phrase “follow the water.” Scheduled to launch no earlier than Thursday, Feb. 27, NASA’s SPHEREx (Spectro-Photometer for the History of the Universe, Epoch of Reionization, and Ices Explorer) mission will help in that quest.
      After its ride aboard a SpaceX Falcon 9 from Vandenberg Space Force base in California, the observatory will search for water, carbon dioxide, carbon monoxide, and other key ingredients for life frozen on the surface of interstellar dust grains in the clouds of gas and dust where planets and stars eventually form.
      While there are no oceans or lakes floating freely in space, scientists think these reservoirs of ice, bound to small dust grains, are where most of the water in our universe forms and resides. Additionally, the water in Earth’s oceans as well as those of other planets and moons in our galaxy likely originated in such locations.
      The Perseus Molecular Cloud, located about 1,000 light-years from Earth, was imaged by NASA’s retired Spitzer Space Telescope. NASA’s SPHEREx mission will search the galaxy for water ice and other frozen compounds in clouds of gas and dust in space like this one. NASA/JPL-Caltech The mission will focus on massive regions of gas and dust called molecular clouds. Within those, SPHEREx will also look at some newly formed stars and the disks of material around them from which new planets are born.
      Although space telescopes such as NASA’s James Webb and retired Spitzer have detected water, carbon dioxide, carbon monoxide, and other compounds in hundreds of targets, the SPHEREx observatory is the first to be uniquely equipped to conduct a large-scale survey of the galaxy in search of water ice and other frozen compounds.
      Get the SPHEREx Press Kit Rather than taking 2D images of a target like a star, SPHEREx will gather 3D data along its line of sight. That enables scientists to see the amount of ice present in a molecular cloud and observe how the composition of the ices throughout the cloud changes in different environments.
      By making more than 9 million of these line-of-sight observations and creating the largest-ever survey of these materials, the mission will help scientists better understand how these compounds form on dust grains and how different environments can influence their abundance.  
      Tip of the Iceberg
      It makes sense that the composition of planets and stars would reflect the molecular clouds they formed in. However, researchers are still working to confirm the specifics of the planet formation process, and the universe doesn’t always match scientists’ expectations.
      For example, a NASA mission launched in 1998, the Submillimeter Wave Astronomy Satellite (SWAS), surveyed the galaxy for water in gas form — including in molecular clouds — but found far less than expected.
      BAE Systems employees work on NASA’s SPHEREx observatory in the Astrotech Space Operations facility at Vandenberg Space Force Base in California on Jan. 16. Targeting a Feb. 27 launch, the mission will map the entire sky in infrared light. NASA/JPL-Caltech “This puzzled us for a while,” said Gary Melnick, a senior astronomer at the Center for Astrophysics | Harvard & Smithsonian and a member of the SPHEREx science team. “We eventually realized that SWAS had detected gaseous water in thin layers near the surface of molecular clouds, suggesting that there might be a lot more water inside the clouds, locked up as ice.”
      The mission team’s hypothesis also made sense because SWAS detected less oxygen gas (two oxygen atoms bound together) than expected. They concluded that the oxygen atoms were sticking to interstellar dust grains, and were then joined by hydrogen atoms, forming water. Later research confirmed this. What’s more, the clouds shield molecules from cosmic radiation that would otherwise break those compounds apart. As a result, water ice and other materials stored deep in a cloud’s interior are protected.
      As starlight passes through a molecular cloud, molecules like water and carbon dioxide block certain wavelengths of light, creating a distinct signature that SPHEREx and other missions like Webb can identify using a technique called absorption spectroscopy.
      In addition to providing a more detailed accounting of the abundance of these frozen compounds, SPHEREx will help researchers answer questions including how deep into molecular clouds ice begins to form, how the abundance of water and other ices changes with the density of a molecular cloud, and how that abundance changes once a star forms.
      Powerful Partnerships
      As a survey telescope, SPHEREx is designed to study large portions of the sky relatively quickly, and its results can be used in conjunction with data from targeted telescopes like Webb, which observe a significantly smaller area but can see their targets in greater detail.
      “If SPHEREx discovers a particularly intriguing location, Webb can study that target with higher spectral resolving power and in wavelengths that SPHEREx cannot detect,” said Melnick. “These two telescopes could form a highly effective partnership.”
      More About SPHEREx
      SPHEREx is managed by NASA’s Jet Propulsion Laboratory in Southern California for the Astrophysics Division within the Science Mission Directorate at NASA Headquarters in Washington. BAE Systems (formerly Ball Aerospace) built the telescope and the spacecraft bus. The science analysis of the SPHEREx data will be conducted by a team of scientists located at 10 institutions in the U.S., two in South Korea, and one in Taiwan. Data will be processed and archived at IPAC at Caltech, which manages JPL for NASA. The mission principal investigator is based at Caltech with a joint JPL appointment. The SPHEREx dataset will be publicly available at the NASA/IPAC Infrared Science Archive.
      For more information about the SPHEREx mission visit:
      https://www.jpl.nasa.gov/missions/spherex/
      6 Things to Know About SPHEREx Why NASA’s SPHEREx Mission Will Make ‘Most Colorful’ Cosmic Map Ever News Media Contact
      Calla Cofield
      Jet Propulsion Laboratory, Pasadena, Calif.
      626-808-2469
      calla.e.cofield@jpl.nasa.gov
      2025-020
      Share
      Details
      Last Updated Feb 13, 2025 Related Terms
      SPHEREx (Spectro-Photometer for the History of the Universe and Ices Explorer) Astrophysics Exoplanets Galaxies Jet Propulsion Laboratory Stars The Universe Explore More
      5 min read Webb Maps Full Picture of How Phoenix Galaxy Cluster Forms Stars
      Discovery proves decades-old theory of galaxy feeding cycle. Researchers using NASA’s James Webb Space Telescope…
      Article 2 hours ago 4 min read NASA Successfully Joins Sunshade to Roman Observatory’s ‘Exoskeleton’
      Article 1 day ago 4 min read NASA’s Mini Rover Team Is Packed for Lunar Journey
      Article 2 days ago Keep Exploring Discover Related Topics
      Missions
      Humans in Space
      Climate Change
      Solar System
      View the full article
    • By NASA
      For more than a decade, Tristan McKnight has been a driving force behind some of NASA’s most iconic events, orchestrating the behind-the-scenes magic that brings each historic moment to life while sharing the agency’s advancements with the public. 

      As a multimedia producer on the audiovisual team at Johnson Space Center in Houston, McKnight produces and directs live broadcasts and manages event planning, coordination, and execution. From overseeing resources, mitigating risks, and communicating with stakeholders, he ensures every detail aligns seamlessly.  
      Official portrait of Tristan McKnight.NASA/Josh Valcarcel McKnight has played an integral role in the audiovisual team’s coverage of major events including the Artemis II crew announcement, where NASA revealed the astronauts who will venture around the Moon and back, to Johnson’s 2023 Open House, which celebrated the agency’s 65th anniversary and the 25th anniversary of the International Space Station’s operations. These achievements highlight key milestones in human space exploration.  

      A standout achievement was contributing to the Dorothy Vaughan Center in Honor of the Women of Apollo naming ceremony, held on the eve of the 55th anniversary of the Apollo 11 Moon landing. The event honored the unsung heroes who made humanity’s first steps on the Moon possible. 

      The team’s dedication and passion are a testament to their commitment to sharing NASA’s legacy with the world. 

      “Not only have these events been impactful to Johnson, but they have also resonated across the entire agency,” McKnight said. “That is what I’m most proud of!” 
      Tristan McKnight at the 45th Annual Original Martin Luther King Jr. Day Parade in downtown Houston.NASA/James Blair One of McKnight’s most memorable events was the 2023 “Back in the Saddle,” an annual tradition designed to refocus Johnson’s workforce at the start of a new year and renew the center’s commitment to safety and mission excellence. McKnight recalled how the speaker transformed Johnson’s Teague Auditorium into a venue filled with drum kits, inspiring messages, and lighting displays. Each audience member, drumsticks in hand, participated in a lesson on teamwork and synchronization to create a metaphor for working in harmony toward a shared goal. 

      Like many high-achieving professionals. McKnight has faced moments of self-doubt. Then he realized that he is exactly where he is supposed to be. “As I settled into my role, I recognized that my contributions matter and simply being true to who I am adds value to the Johnson community,” he said.  
      Tristan McKnight (right) receives a Group Special Act Award from Johnson Space Center Director Vanessa Wyche for his contributions to the Dorothy Vaughn in Honor of the Women of Apollo naming ceremony.NASA Each day brings its own set of challenges, ranging from minor issues like communication gaps and scheduling conflicts to major obstacles like technology failures. One of McKnight’s most valuable lessons is recognizing that there is no one-size-fits-all solution, and each situation requires a thoughtful analysis. 

      McKnight understands the importance of the “check-and double-check,” a philosophy he considers crucial when working with technology. “Taking the extra time to do your due diligence, or even having someone else take a look, can make all the difference,” he said. 

      “The challenges I’ve faced helped me grow as a problem solver and taught me valuable lessons on resilience and adaptability in the workplace,” he said. McKnight approaches obstacles with a level head, focusing on effective solutions rather than dwelling on the problem. 
      Tristan McKnight (left) with his daughter Lydia McKnight and Johnson’s External Relations Director Arturo Sanchez at the 2024 Bring Your Youth To Work Day. NASA/Helen Arase Vargas As humanity looks to the stars, McKnight is energized about the future of exploration, particularly advancements in spacesuit and rocket technology that will enable us to travel farther, faster, and safer than ever before. His work, though grounded on Earth, helps create the inspiration that fuels these bold endeavors. 

      “My hope for the next generation is that they dive deeper into their curiosity—exploring not only the world around them but also the Moon, planets, and beyond,” he said. “I also hope they carry forward the spirit of resilience and a commitment to making the world a better place for all.” 
      View the full article
    • By NASA
      NASA asked artists to imagine the future of deep space exploration in artwork meant to inspire the Artemis Generation. The NASA Moon to Mars Architecture art challenge sought creative images that represent the agency’s bold vision for crewed exploration of the lunar surface and the Red Planet. The agency has selected the recipients of the art challenge competition.  
      This collage features all the winners of the NASA Moon to Mars Architecture Art Challenge.Jimmy Catanzaro, Jean-Luc Sabourin, Irene Magi, Pavlo Kandyba, Antonella Di Cristofaro, Francesco Simone, Mia Nickell, Lux Bodell, Olivia De Grande, Sophie Duan The challenge, hosted by contractor yet2 through NASA’s Prizes, Challenges, and Crowdsourcing program, was open to artists from around the globe. Guidelines asked artists to consider NASA’s Moon to Mars Architecture development effort, which uses engineering processes to distil NASA’s Moon to Mars Objectives into the systems needed to accomplish them. NASA received 313 submissions from 22 U.S. states and 47 countries.
      The architecture includes four segments of increasing complexity. For this competition, NASA sought artistic representations of the two furthest on the timeline: the Sustained Lunar Evolution segment and the Humans to Mars segment.
      The Sustained Lunar Evolution segment is an open canvas for exploration of the Moon, embracing new ideas, systems, and partners to grow to a long-term presence on the lunar surface. Sustained lunar evolution means more astronauts on the Moon for longer periods of time, increased opportunities for science, and even the large-scale production of goods and services derived from lunar resources. It also means increased cooperation and collaboration with international partners and the aerospace industry to build a robust lunar economy.   The Humans to Mars segment will see the first human missions to Mars, building on the lessons we learn from exploring the Moon. These early missions will focus on Martian exploration and establishing the foundation for a sustained Mars presence. NASA architects are examining a wide variety of options for transportation, habitation, power generation, utilization of Martian resources, scientific investigations, and more. Final judging for the competition took place at NASA’s annual Architecture Concept Review meeting. That review brought together agency leadership from NASA mission directorates, centers, and technical authorities to review the 2024 updates to the Moon to Mars Architecture. NASA selected the winning images below during that review:
      Sustained Lunar Evolution Segment Winners
      First Place:
      Jimmy Catanzaro – Henderson, Nevada
      Second Place:
      Jean-Luc Sabourin – Ottawa, Canada
      Third Place (Tie):
      Irene Magi – Prato, Italy
      Pavlo Kandyba – Kyiv, Ukraine
      Humans to Mars Segment Winners
      First Place (Tie):
      Antonella Di Cristofaro – Chieti, Italy
      Francesco Simone – Gatteo, Italy
      Third Place:
      Mia Nickell – Suwanee, Georgia
      Under 18 Submission Winners
      First Place:
      Lux Bodell – Minnetonka, Minnesota
      Second Place:
      Olivia De Grande – Milan, Italy
      Third Place:
      Sophie Duan – Ponte Vedra, Florida
      The NASA Tournament Lab, part of the Prizes, Challenges, and Crowdsourcing program in the Space Technology Mission Directorate, managed the challenge. The program supports global public competitions and crowdsourcing as tools to advance NASA research and development and other mission needs.
      View the full article
  • Check out these Videos

×
×
  • Create New...