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Mary W. Jackson Portrait Revealed
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By Space Force
SecAF Kendall delivered a speech to USAFA cadets about the qualities necessary for strong leadership and why capable, insightful, moral leaders are more essential than ever in defense of the nation.
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By NASA
1 Min Read Oral History with Mary L. Cleave, 1947 – 2023
61B-21-008 (26 Nov-1 Dec 1985) —The STS 61-B crew on the flight deck of the earth-orbiting Atlantis. Left to right, back row, are astronauts Jerry L. Ross, Brewster Shaw Jr., Mary L. Cleave, and Bryan D. O'Connor; and payload specialist Rodolfo Neri. Front row, left to right, payload specialist Charles D. Walker and astronaut Sherwood C. Spring. A veteran of two space flights, Dr. Cleave served as a mission specialist on STS-61B and STS-30. She went on to join NASA’s Goddard Space Flight Center and worked in the Laboratory for Hydrospheric Processes as the Project Manager for SeaWiFS, an ocean color sensor which is monitoring vegetation globally. Dr. Cleave next served as Deputy Associate Administrator, Office of Earth Science, NASA Headquarters, until her retirement in 2007.
Read more about Dr. Mary L. Cleave
NASA Oral History, March 5, 2002 NASA Biography NASA Remembers Trailblazing Astronaut, Scientist Mary Cleave In Memoriam: Mary Cleave The transcripts available on this site are created from audio-recorded oral history interviews. To preserve the integrity of the audio record, the transcripts are presented with limited revisions and thus reflect the candid conversational style of the oral history format. Brackets and ellipses indicate where the text has been annotated or edited for clarity. Any personal opinions expressed in the interviews should not be considered the official views or opinions of NASA, the NASA History Office, NASA historians, or staff members.
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By NASA
2 min read
Hurricane Helene’s Gravity Waves Revealed by NASA’s AWE
On Sept. 26, 2024, Hurricane Helene slammed into the Gulf Coast of Florida, inducing storm surges and widespread impacts on communities in its path. At the same time, NASA’s Atmospheric Waves Experiment, or AWE, recorded enormous swells in the atmosphere that the hurricane produced roughly 55 miles above the ground. Such information helps us better understand how terrestrial weather can affect space weather, part of the research NASA does to understand how our space environment can disrupt satellites, communication signals, and other technology.
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As the International Space Station traveled over the southeastern United States on Sept. 26, 2024, AWE observed atmospheric gravity waves generated by Hurricane Helene as the storm slammed into the gulf coast of Florida. The curved bands extending to the northwest of Florida, artificially colored red, yellow, and blue, show changes in brightness (or radiance) in a wavelength of infrared light produced by airglow in Earth’s mesosphere. The small black circles on the continent mark the locations of cities. To download this video or other versions with alternate color schemes, visit this page. Utah State University These massive ripples through the upper atmosphere, known as atmospheric gravity waves, appear in AWE’s images as concentric bands (artificially colored here in red, yellow, and blue) extending away from northern Florida.
“Like rings of water spreading from a drop in a pond, circular waves from Helene are seen billowing westward from Florida’s northwest coast,” said Ludger Scherliess, who is the AWE principal investigator at Utah State University in Logan.
Launched in November 2023 and mounted on the outside of the International Space Station, the AWE instrument looks down at Earth, scanning for atmospheric gravity waves, ripple-like patterns in the air generated by atmospheric disturbances such as violent thunderstorms, tornadoes, tsunamis, wind bursts over mountain ranges, and hurricanes. It does this by looking for brightness fluctuations in colorful bands of light called airglow in Earth’s mesosphere. AWE’s study of these gravity waves created by terrestrial weather helps NASA pinpoint how they affect space weather.
These views of gravity waves from Hurricane Helene are among the first publicly released images from AWE, confirming that the instrument has the sensitivity to reveal the impacts hurricanes have on Earth’s upper atmosphere.
By Vanessa Thomas
NASA’s Goddard Space Flight Center, Greenbelt, Md.
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By NASA
On July 19, 2024, NASA officially named Johnson Space Center’s building 12 the “Dorothy Vaughan Center in Honor of the Women of Apollo.” A portrait of Dorothy Vaughan is now the central feature at the entrance of the newly named building. This portrait was hand-painted by Eliza Hoffman, an accomplished artist who is also a recent graduate from Clear Creek Independent School District.
Recent Clear Creek Independent School District graduate and artist Eliza Hoffman hand-painted a portrait of Dorothy Vaughan in honor of the Women of Apollo. The handcrafted portrait of Vaughan took about a month to complete. The photo the Vaughan family wanted to use for the ceremony was black and white, so Hoffman had to brainstorm how to bring the photo to life in living color. This led her to search for colorized versions of the reference photo on the internet to guide her in the painting process. She revealed that she first learned of Vaughan from the movie “Hidden Figures,” which she was inspired to watch after reading the book “Women in Space” throughout her childhood.
When privately revealing the artwork to the Vaughan family, Hoffman felt their emotion and joy. She reflected, “I am honored to have the family of such a great woman be so moved by my painting. It is a memory that I will always remember.”
NASA’s Johnson Space Center Director Vanessa Wyche greets artist Eliza Hoffman at the surprise unveiling of Dorothy Vaughan’s painted portrait in the main hallway of the Dorothy Vaughan Center in Honor of the Women of Apollo.NASA/David DeHoyos Hoffman shared that “One of the great things about making art is that it communicates information about the subject and its emotion to the audience. In this case, I was given the chance to create a portrait which will help inform people for years to come about Dorothy Vaughan’s life and legacy.”
At the ribbon-cutting ceremony, it was noted to Hoffman that her portrait will now become a part of Johnson’s history. Through Hoffman’s research on Vaughan, she noticed that Vaughan was not only a person beloved by many but also a woman that walked with humility and gentleness, which she hopes viewers see in her painting.
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By Space Force
The portrait unveiling marks one of many historic firsts for a military service that was established less than five years prior, Dec. 20, 2019.
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