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By European Space Agency
Just a month after its launch, ESA’s Arctic Weather Satellite has already delivered its first images, notably capturing Storm Boris, which has been wreaking havoc across central Europe.
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By NASA
NASA wants you to visualize the future of space exploration! This art challenge is looking for creative, artistic images to represent NASA’s Moon to Mars Architecture, the agency’s roadmap for crewed exploration of deep space. With NASA’s Moon to Mars Objectives in hand, the agency is developing an architecture for crewed exploration of the Moon, Mars, and beyond. Using systems engineering processes, NASA has begun to perform the analyses and studies needed to make informed decisions about a sustained lunar evolution and initial human missions to Mars. NASA’s Moon to Mars Architecture currently includes four segments of increasing complexity: Human Lunar Return, Foundational Exploration, Sustained Lunar Evolution, and Humans to Mars. For this competition, NASA is interested in your artistic interpretation of the latter two segments: Sustained Lunar Evolution and Humans to Mars. These depictions could include operations in space, on the surface, or both. Artists may develop and submit a still image for either the lunar and Mars exploration segments.
Award: $10,000 in total prizes
Open Date: September 12, 2024
Close Date: October 31, 2024
For more information, visit: https://nasa.yet2.com/
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By NASA
5 min read
Preparations for Next Moonwalk Simulations Underway (and Underwater)
Tests on Earth appear to confirm how the Red Planet’s spider-shaped geologic formations are carved by carbon dioxide.
Spider-shaped features called araneiform terrain are found in the southern hemisphere of Mars, carved into the landscape by carbon dioxide gas. This 2009 image taken by NASA’s Mars Reconnaissance Orbiter shows several of these distinctive formations within an area three-quarters of a mile (1.2 kilometers) wide. NASA/JPL-Caltech/University of Arizona Dark splotches seen in this example of araneiform terrain captured by NASA’s Mars Reconnaissance Orbiter in 2018 are believed to be soil ejected from the surface by carbon dioxide gas plumes. A set of experiments at JPL has sought to re-create these spider-like formations in a lab. NASA/JPL-Caltech/University of Arizona Since discovering them in 2003 via images from orbiters, scientists have marveled at spider-like shapes sprawled across the southern hemisphere of Mars. No one is entirely sure how these geologic features are created. Each branched formation can stretch more than a half-mile (1 kilometer) from end to end and include hundreds of spindly “legs.” Called araneiform terrain, these features are often found in clusters, giving the surface a wrinkled appearance.
The leading theory is that the spiders are created by processes involving carbon dioxide ice, which doesn’t occur naturally on Earth. Thanks to experiments detailed in a new paper published in The Planetary Science Journal, scientists have, for the first time, re-created those formation processes in simulated Martian temperatures and air pressure.
Here’s a look inside of JPL’s DUSTIE, a wine barrel-size chamber used to simulate the temperatures and air pressure of other planets – in this case, the carbon dioxide ice found on Mars’ south pole. Experiments conducted in the chamber confirmed how Martian formations known as “spiders” are created.NASA/JPL-Caltech “The spiders are strange, beautiful geologic features in their own right,” said Lauren Mc Keown of NASA’s Jet Propulsion Laboratory in Southern California. “These experiments will help tune our models for how they form.”
The study confirms several formation processes described by what’s called the Kieffer model: Sunlight heats the soil when it shines through transparent slabs of carbon dioxide ice that built up on the Martian surface each winter. Being darker than the ice above it, the soil absorbs the heat and causes the ice closest to it to turn directly into carbon dioxide gas — without turning to liquid first — in a process called sublimation (the same process that sends clouds of “smoke” billowing up from dry ice). As the gas builds in pressure, the Martian ice cracks, allowing the gas to escape. As it seeps upward, the gas takes with it a stream of dark dust and sand from the soil that lands on the surface of the ice.
When winter turns to spring and the remaining ice sublimates, according to the theory, the spiderlike scars from those small eruptions are what’s left behind.
These formations similar to the Red Planet’s “spiders” appeared within Martian soil simulant during experiments in JPL’s DUSTIE chamber. Carbon dioxide ice frozen within the simulant was warmed by a heater below, turning it back into gas that eventually cracked through the frozen top layer and formed a plume.NASA/JPL-Caltech Re-Creating Mars in the Lab
For Mc Keown and her co-authors, the hardest part of conducting these experiments was re-creating conditions found on the Martian polar surface: extremely low air pressure and temperatures as low as minus 301 degrees Fahrenheit (minus 185 degrees Celsius). To do that, Mc Keown used a liquid-nitrogen-cooled test chamber at JPL, the Dirty Under-vacuum Simulation Testbed for Icy Environments, or DUSTIE.
“I love DUSTIE. It’s historic,” Mc Keown said, noting that the wine barrel-size chamber was used to test a prototype of a rasping tool designed for NASA’s Mars Phoenix lander. The tool was used to break water ice, which the spacecraft scooped up and analyzed near the planet’s north pole.
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This video shows Martian soil simulant erupting in a plume during a JPL lab experiment that was designed to replicate the process believed to form Martian features called “spiders.” When a researcher who had tried for years to re-create these conditions spotted this plume, she was ecstatic. NASA/JPL-Caltech For this experiment, the researchers chilled Martian soil simulant in a container submerged within a liquid nitrogen bath. They placed it in the DUSTIE chamber, where the air pressure was reduced to be similar to that of Mars’ southern hemisphere. Carbon dioxide gas then flowed into the chamber and condensed from gas to ice over the course of three to five hours. It took many tries before Mc Keown found just the right conditions for the ice to become thick and translucent enough for the experiments to work.
Once they got ice with the right properties, they placed a heater inside the chamber below the simulant to warm it up and crack the ice. Mc Keown was ecstatic when she finally saw a plume of carbon dioxide gas erupting from within the powdery simulant.
“It was late on a Friday evening and the lab manager burst in after hearing me shrieking,” said Mc Keown, who had been working to make a plume like this for five years. “She thought there had been an accident.”
The dark plumes opened holes in the simulant as they streamed out, spewing simulant for as long as 10 minutes before all the pressurized gas was expelled.
The experiments included a surprise that wasn’t reflected in the Kieffer model: Ice formed between the grains of the simulant, then cracked it open. This alternative process might explain why spiders have a more “cracked” appearance. Whether this happens or not seems dependent on the size of soil grains and how embedded water ice is underground.
“It’s one of those details that show that nature is a little messier than the textbook image,” said Serina Diniega of JPL, a co-author of the paper.
What’s Next for Plume Testing
Now that the conditions have been found for plumes to form, the next step is to try the same experiments with simulated sunlight from above, rather than using a heater below. That could help scientists narrow down the range of conditions under which the plumes and ejection of soil might occur.
There are still many questions about the spiders that can’t be answered in a lab. Why have they formed in some places on Mars but not others? Since they appear to result from seasonal changes that are still occurring, why don’t they seem to be growing in number or size over time? It’s possible that they’re left over from long ago, when the climate was different on Mars— and could therefore provide a unique window into the planet’s past.
For the time being, lab experiments will be as close to the spiders as scientists can get. Both the Curiosity and Perseverance rovers are exploring the Red Planet far from the southern hemisphere, which is where these formations appear (and where no spacecraft has ever landed). The Phoenix mission, which landed in the northern hemisphere, lasted only a few months before succumbing to the intense polar cold and limited sunlight.
News Media Contacts
Andrew Good
Jet Propulsion Laboratory, Pasadena, Calif.
818-393-2433
andrew.c.good@jpl.nasa.gov
Karen Fox / Molly Wasser
Headquarters, Washington
202-358-1600
karen.c.fox@nasa.gov / molly.l.wasser@nasa.gov
2024-122
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Last Updated Sep 11, 2024 Related Terms
Mars Jet Propulsion Laboratory Explore More
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By NASA
5 min read
Preparations for Next Moonwalk Simulations Underway (and Underwater)
Artist David Bowen works on “tele-present wind,” featuring grass stalks that move in response to Martian wind data previously collected by NASA’s Perseverance rover mission. Behind him sits JPL data systems architect Rishi Verma.NASA/JPL-Caltech Works in ‘Blended Worlds: Experiments in Interplanetary Imagination,’ an exhibit in Glendale, California, help shrink the universe into something tangible.
The universe is vast and filled with countless worlds, but a new exhibit at the Brand Library & Art Center in Glendale, California, aims to shrink time and space. For “Blended Worlds: Experiments in Interplanetary Imagination,” artists collaborated with scientists and engineers from NASA’s Jet Propulsion Laboratory to create cross-disciplinary works that help illuminate the universe by bringing art and science together.
On view from Sept. 21, 2024, to Jan. 4, 2025, the exhibition is part of “PST ART: Art & Science Collide,” an event presented by the Getty and involving more than 70 exhibitions from museums and institutions across Southern California exploring the intersection of art and science.
“The magic of art is that it enhances our experiences and interactions with the world — and in this case, our universe,” said Dr. Laurie Leshin, director of JPL in Southern California. “We’re honored to work with great artists to bring the wonders of space to our community through this exhibition, which invites us all to be part of a grand journey of exploration and discovery.”
The 126 grass stalks of “tele-present wind” are attached to mechanical tilting devices that move in response to Martian wind data.NASA/JPL-Caltech David Bowen’s installation “tele-present wind” features grass stalks attached to tilting mechanical devices that move in response to Martian wind data previously collected by NASA’s Perseverance rover mission. Helping make the effort possible were Rishi Verma, a data systems architect at JPL, and José Antonio Rodríguez-Manfredi, the principal investigator of the Mars Environmental Dynamics Analyzer (MEDA) system on Perseverance.
For “Seismic Percussion,” artist Moon Ribas creates an interplanetary drum score by translating seismic data from Earth, the Moon, and Mars. For Mars data, JPL’s Verma worked with Nobuaki Fuji of the Institut de Physique du Globe de Paris, who collaborated on NASA’s now-retired InSight lander. Ceri Nunn, a JPL planetary scientist, assisted with moonquake data.
Also featured is a handwritten version of U.S. Poet Laureate Ada Limón’s “In Praise of Mystery: A Poem for Europa,” the poem she dedicated to NASA’s Europa Clipper mission, which is targeting an October launch and will make multiple flybys of Jupiter’s icy moon Europa. The poem has been etched onto a metal plate on the spacecraft and will ride with the orbiter on its long journey.
Additional works allow visitors to experience Earth’s wonders through scents, use sound to convey the vast distances between our planet and those beyond our solar system, and blend heartbeats and other Earthly sounds with sonified data from Europa’s magnetic field.
“We were looking to create imaginative opportunities for people to connect with each other as they connect with the awe-inspiring science being conducted today,” said David Delgado, a cultural strategist and the project lead at JPL. “I know this experience has really opened the eyes of everyone collaborating on the project, and we hope it does the same for people who come to see ‘Blended Worlds.’”
As part of PST ART, a number of public programs and community events will also accompany the “Blended Worlds” gallery exhibition, including “Blended Worlds: An Evening of Art, Theater, and Science” hosted by Reggie Watts at the Alex Theatre in Glendale on Oct. 5, and “Earth Data: The Musical,” an original musical developed by Theater Arts at Caltech exploring the challenges of climate research and science as a human pursuit at Caltech’s Ramo Auditorium Nov. 1 to 3.
Artists’ collaborations with JPL and the display of their works at Glendale’s Brand Library were made possible by the generous support of the Glendale Arts and Culture Commission and the Glendale Library, Arts & Culture Trust.
More About JPL
A division of Caltech in Pasadena, California, JPL began in 1936 and ultimately built and helped launch America’s first satellite, Explorer 1, in 1958. By the end of that year, Congress established NASA and JPL became a part of the agency. Since then, JPL has managed such historic missions as Voyager, Galileo, Cassini, the Mars Exploration Rover program, the Perseverance Mars rover, and many more.
More About Glendale Library, Arts & Culture
Founded in 1907, the Glendale Library, Arts & Culture Department includes eight neighborhood libraries including the Brand Library & Art Center, a regional visual arts and music library and performance venue housed in the historic 1904 mansion of Glendale pioneer Leslie C. Brand, and the Central Library, a 93,000-square-foot center for individuals and groups to convene, collaborate, and create. The department also serves as the chief liaison to the Glendale Arts and Culture Commission which works to continually transform Glendale into an ever-evolving arts destination. Glendale Library Arts & Culture is supported in part through the efforts of the Glendale Library Arts & Culture Trust (GLACT). For more information visit GlendaleLAC.org, or contact Library, Arts & Culture at 818-548-2021 or via email at LibraryInfo@GlendaleCA.gov. Follow on Instagram, Facebook, and X at @MyGlendaleLAC.
For more information about PST ART: Art & Science Collide, visit: pst.art
News Media Contact
Matthew Segal / Melissa Pamer
Jet Propulsion Laboratory, Pasadena, Calif.
818-354-8307 / 626-314-4928
matthew.j.segal@jpl.nasa.gov / melissa.pamer@jpl.nasa.gov
2024-120
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Last Updated Sep 09, 2024 Related Terms
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By NASA
Mars: Perseverance (Mars 2020) Perseverance Home Mission Overview Rover Components Mars Rock Samples Where is Perseverance? Ingenuity Mars Helicopter Mission Updates Science Overview Objectives Instruments Highlights Exploration Goals News and Features Multimedia Perseverance Raw Images Images Videos Audio More Resources Mars Missions Mars Sample Return Mars Perseverance Rover Mars Curiosity Rover MAVEN Mars Reconnaissance Orbiter Mars Odyssey More Mars Missions The Solar System The Sun Mercury Venus Earth The Moon Mars Jupiter Saturn Uranus Neptune Pluto & Dwarf Planets Asteroids, Comets & Meteors The Kuiper Belt The Oort Cloud 2 min read
Persevering Through the Storm
A region-wide seasonal dust storm obscures the Jezero Crater in this image from NASA’s Mars Perseverance rover, acquired using its Left Mastcam-Z camera. Mastcam-Z is a pair of cameras located high on the rover’s mast. Perseverance captured the image on Aug. 20, 2024 (Sol 1244, or Martian day 1,244 of the Mars 2020 mission) at the local mean solar time of 16:05:34. This image is part of a Mastcam-Z mosaic of the “northern fan,” a part of Jezero Crater that Perseverance never drove through, but is an area that’s thought to have been deposited in a similar way to the delta that the rover did explore. NASA/JPL-Caltech/ASU It is dust-storm season on Mars! Over the past couple of weeks, as we have been ascending the Jezero Crater rim, our science team has been monitoring rising amounts of dust in the atmosphere. This is expected: Dust activity is typically highest around this time of the Martian year (early Spring in the northern hemisphere). The increased dust has made our views back toward the crater hazier than usual, and provided our atmospheric scientists with a great opportunity to study the way that dust storms form, develop, and spread around the planet.
Perseverance has a suite of scientific instruments well-suited to study the Martian atmosphere. The Mars Environmental Dynamics Analyzer (MEDA) provides regular weather reports, the cadence of which has increased during the storm to maximize our science. We also routinely point our Mastcam-Z imager toward the sky to assess the optical density (“tau”) of the atmosphere.
There are not any signs that this regional dust storm will become planetwide — like the global dust storm in 2018 — but every day we are assessing new atmospheric data. Hopefully the skies will further clear up as we continue to climb in the coming weeks, because we are expecting stunning views of the crater floor and Jezero delta. This will offer the Perseverance team a unique chance to reflect on the tens of kilometers we have driven and years we have spent exploring Mars together.
Written by Henry Manelski, Ph.D. student at Purdue University
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Last Updated Sep 05, 2024 Related Terms
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