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Preparations for Next Moonwalk Simulations Underway (and Underwater)

Image depicting a hazy orange colored sky surrounding Venus. A Corona is shown in the center with smoke billowing from its top. Large rocks are seen in the forefront.
This illustration of the large Quetzalpetlatl Corona located in Venus’ southern hemisphere depicts active volcanism and a subduction zone, where the foreground crust plunges into the planet’s interior. A new study suggests coronae reveal locations where active geology is shaping Venus’ surface.

The stars above and on Earth aligned as an inspirational message and lyrics from the song “The Rain (Supa Dupa Fly)” by hip-hop artist Missy Elliott were beamed to Venus via NASA’s DSN (Deep Space Network). The agency’s Jet Propulsion Laboratory in Southern California sent the transmission at 10:05 a.m. PDT on Friday, July 12.

As the largest and most sensitive telecommunication service of NASA’s Space Communications and Navigation (SCaN) program, DSN has an array of giant radio antennas that allow missions to track, send commands, and receive scientific data from spacecraft venturing to the Moon and beyond. To date, the system has transmitted only one other song into space, making the transmission of Elliott’s song a first for hip-hop and NASA.

“Both space exploration and Missy Elliott’s art have been about pushing boundaries,” said Brittany Brown, director, Digital and Technology Division, Office of Communications at NASA Headquarters in Washington, who initially pitched ideas to Missy’s team to collaborate with the agency. “Missy has a track record of infusing space-centric storytelling and futuristic visuals in her music videos so the opportunity to collaborate on something out of this world is truly fitting.”

The song traveled about 158 million miles (254 million kilometers) from Earth to Venus — the artist’s favorite planet. Transmitted at the speed of light, the radio frequency signal took nearly 14 minutes to reach the planet. The transmission was made by the 34-meter (112-foot) wide Deep Space Station 13 (DSS-13) radio dish antenna, located at the DSN’s Goldstone Deep Space Communications Complex, near Barstow in California. Coincidentally, the DSS-13 also is nicknamed Venus.

Elliott’s music career started more than 30 years ago, and the DSN has been communicating with spacecraft for over 60 years. Now, thanks to the network, Elliott’s music has traveled far beyond her Earth-bound fans to a different world.  

“I still can’t believe I’m going out of this world with NASA through the Deep Space Network when “The Rain” (Supa Dupa Fly) becomes the first ever hip-hop song to transmit to space!,” said Elliott. “I chose Venus because it symbolizes strength, beauty, and empowerment and I am so humbled to have the opportunity to share my art and my message with the universe!”

Two NASA missions, selected in 2021, will explore Venus and send data back to Earth using the DSN. DAVINCI (Deep Atmosphere Venus Investigation of Noble gases, Chemistry, and Imaging), led out of NASA’s Goddard Space Flight Center in Greenbelt, Maryland, is slated to launch no earlier than 2029. The VERITAS (Venus Emissivity, Radio Science, InSAR, Topography, and Spectroscopy), launching no earlier than 2031, is lead out of NASA’s Jet Propulsion Laboratory in Southern California. NASA and the DSN are also partnering with the European Space Agency’s Venus mission, Envision. A team at JPL is developing the spacecraft’s Venus Synthetic Aperture Radar (VenSAR).

In continuous operations since 1963, NASA SCaN’s DSN is composed of three complexes spaced equidistant from each other — approximately 120 degrees apart in longitude — around the planet. The ground stations are in Goldstone in California, Madrid, and Canberra in Australia.

The Deep Space Network is managed by JPL for the SCaN program within the Space Operations Mission Directorate, based at NASA Headquarters.  

For more information about NASA’s Deep Space Network, visit:

https://www.nasa.gov/communicating-with-missions/dsn/

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Last Updated
Jul 15, 2024

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      For Beyer, his boundary-breaking moment came when he searched – and found – software engineers at Ames capable and passionate about open-source software to generate accurate, high-resolution, texture-mapped, 3D terrain models from stereo image pairs. He and other teams of NASA scientists have since applied that software to study and better understand everything from changes in snow and ice characteristics on Earth, as well as features like craters, mountains, and caves on Mars or the Moon. This capability is part of the Artemis campaign, through which NASA will establish a long-term presence at the Moon for scientific exploration with commercial and international partners. The mission is to learn how to live and work away from home, promote the peaceful use of space, and prepare for future human exploration of Mars. 
      “As NASA and private companies send missions to the Moon, they need to plan landing sites and understand the local environment, and our software is freely available for anyone to use,” Beyer said. “Years ago, our management could easily have said ‘No, let’s keep this software to ourselves; it gives us a competitive advantage.’ They didn’t, and I believe that NASA writ large allows you to work on things and share those things and not hold them back.” 
      When looking forward to what the next 85 years might bring, researchers shared a belief that advancements in technology and opportunities to innovate are as expansive as space itself, but like all living things, they need a healthy atmosphere to thrive. Balaban offered, “This freedom to innovate is precious and cannot be taken for granted. It can easily fall victim if left unprotected. It is absolutely critical to retain it going forward, to ensure our nation’s continuing vitality and the strength of the other freedoms we enjoy.”

      Ames Aeronautical Laboratory.Image credit: NACA Today Marks the Retirement of the Astrogram Newsletter
      by Astrid Albaugh
      For 66 years, the Astrogram has told the story of NASA’s Ames Research Center. Over those six-plus decades, the newsletter has documented hundreds of missions led by Ames, the progression of Hangar One’s reclamation, space shuttle launches with Ames’ payloads aboard them, countless VIP visits, and everything in between.
      Ames published the first edition of the Astrogram in October 1958, coinciding with the transition of the center from its original incarnation as the National Advisory Committee for Aeronautics Ames Aeronautical Laboratory to a National Aeronautics and Space Administration (NASA) research center.
      The newsletter has evolved over time, alongside the center. From October 1958 through January 2016, the Astrogram was published in print, before a digital edition was developed. In January 2016, the Astrogram transitioned to a digital-only format. Below are examples of some of the Astrogram issues from over the years. More are forthcoming from 1998 and prior once they are retrieved from the archives.
      October 2014 Astrogram September 2010 Astrogram I have served as the editor of the Astrogram since February 1998. Over the past quarter century, it has been an interesting, and sometimes quite challenging, task for me to capture the breadth and depth of Ames’s story and ensure that we always published the newsletter on time. I still remember trekking over to the center’s imaging office to review the physical negatives and images that the Ames photographers had taken of events onsite and select the most compelling photos. I used a very early version of visual design software to craft the layout. When the paper was completed, I’d file it onto a CD and then hand it to the courier who would drive from the San Francisco printshop to pick it up from me. Once and awhile, someone would request to have an additional feature added, requiring multiple trips up the 101 and back. Sometimes I’d come in on the weekends to work on the paper, due to late submissions, much to the chagrin of my kids.
      July 2007 Astrogram It has been a pleasure serving as the editor over the past quarter century, almost as many years as my kids are old. A person once asked me if I had changed my name to Astrid since it’s so like the word Astrogram. Any relationship between the newsletter and my name is simply serendipity. I have enjoyed being behind the scenes, mostly working diligently at my computer. Many at Ames know my name because of the newsletter but may have never met me in person. It’s been amusing sometimes when I encounter someone who can’t put a finger as to why they knew my name but didn’t recognize me standing in front of them. Their usual response when they realized why they know me was, “Ah, Astrid of the Astrogram.”
      March 20, 1998 Astrogram Just as NASA innovates, the content of the Astrogram has to innovate as well. Many of the stories that you used to read in the Astrogram, you can now find on our NASA Ames web page here. If you would like to access past, archived issues of the Astrogram, going back to 1958, please consult the Ames Research Center Archives. I will continue to help tell Ames’s story, just using new platforms.
      Whether this is your first issue or you have been an Astrogram supporter for decades, thank you for reading!
      – Astrid of the Astrogram officially signing off


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