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Explore This Section Webb News Latest News Latest Images Blog (offsite) Awards X (offsite – login reqd) Instagram (offsite – login reqd) Facebook (offsite- login reqd) Youtube (offsite) Overview About Who is James Webb? Fact Sheet Impacts+Benefits FAQ Science Overview and Goals Early Universe Galaxies Over Time Star Lifecycle Other Worlds Observatory Overview Launch Orbit Mirrors Sunshield Instrument: NIRCam Instrument: MIRI Instrument: NIRSpec Instrument: FGS/NIRISS Optical Telescope Element Backplane Spacecraft Bus Instrument Module Multimedia About Webb Images Images Videos What is Webb Observing? 3d Webb in 3d Solar System Podcasts Webb Image Sonifications Team International Team People Of Webb More For the Media For Scientists For Educators For Fun/Learning 6 Min Read NASA’s Webb Peers Deeper into Mysterious Flame Nebula
This collage of images from the Flame Nebula shows a near-infrared light view from NASA’s Hubble Space Telescope on the left, while the two insets at the right show the near-infrared view taken by NASA’s James Webb Space Telescope. Credits:
NASA, ESA, CSA, M. Meyer (University of Michigan), A. Pagan (STScI) The Flame Nebula, located about 1,400 light-years away from Earth, is a hotbed of star formation less than 1 million years old. Within the Flame Nebula, there are objects so small that their cores will never be able to fuse hydrogen like full-fledged stars—brown dwarfs.
Brown dwarfs, often called “failed stars,” over time become very dim and much cooler than stars. These factors make observing brown dwarfs with most telescopes difficult, if not impossible, even at cosmically short distances from the Sun. When they are very young, however, they are still relatively warmer and brighter and therefore easier to observe despite the obscuring, dense dust and gas that comprises the Flame Nebula in this case.
NASA’s James Webb Space Telescope can pierce this dense, dusty region and see the faint infrared glow from young brown dwarfs. A team of astronomers used this capability to explore the lowest mass limit of brown dwarfs within the Flame Nebula. The result, they found, were free-floating objects roughly two to three times the mass of Jupiter, although they were sensitive down to 0.5 times the mass of Jupiter.
“The goal of this project was to explore the fundamental low-mass limit of the star and brown dwarf formation process. With Webb, we’re able to probe the faintest and lowest mass objects,” said lead study author Matthew De Furio of the University of Texas at Austin.
Image A: Flame Nebula: Hubble and Webb Observations
This collage of images from the Flame Nebula shows a near-infrared light view from NASA’s Hubble Space Telescope on the left, while the two insets at the right show the near-infrared view taken by NASA’s James Webb Space Telescope. Much of the dark, dense gas and dust, as well as the surrounding white clouds within the Hubble image, have been cleared in the Webb images, giving us a view into a more translucent cloud pierced by the infrared-producing objects within that are young stars and brown dwarfs. Astronomers used Webb to take a census of the lowest-mass objects within this star-forming region.
The Hubble image on the left represents light at wavelengths of 1.05 microns (filter F105W) as blue, 1.3 microns (F130N) as green, and 1.39 microns (F129M) as red. The two Webb images on the right represent light at wavelengths of 1.15 microns and 1.4 microns (filters F115W and F140M) as blue, 1.82 microns (F182M) as green, 3.6 microns (F360M) as orange, and 4.3 microns (F430M) as red. NASA, ESA, CSA, M. Meyer (University of Michigan), A. Pagan (STScI) Smaller Fragments
The low-mass limit the team sought is set by a process called fragmentation. In this process large molecular clouds, from which both stars and brown dwarfs are born, break apart into smaller and smaller units, or fragments.
Fragmentation is highly dependent on several factors with the balance between temperature, thermal pressure, and gravity being among the most important. More specifically, as fragments contract under the force of gravity, their cores heat up. If a core is massive enough, it will begin to fuse hydrogen. The outward pressure created by that fusion counteracts gravity, stopping collapse and stabilizing the object (then known as a star). However, fragments whose cores are not compact and hot enough to burn hydrogen continue to contract as long as they radiate away their internal heat.
“The cooling of these clouds is important because if you have enough internal energy, it will fight that gravity,” says Michael Meyer of the University of Michigan. “If the clouds cool efficiently, they collapse and break apart.”
Fragmentation stops when a fragment becomes opaque enough to reabsorb its own radiation, thereby stopping the cooling and preventing further collapse. Theories placed the lower limit of these fragments anywhere between one and ten Jupiter masses. This study significantly shrinks that range as Webb’s census counted up fragments of different masses within the nebula.
“As found in many previous studies, as you go to lower masses, you actually get more objects up to about ten times the mass of Jupiter. In our study with the James Webb Space Telescope, we are sensitive down to 0.5 times the mass of Jupiter, and we are finding significantly fewer and fewer things as you go below ten times the mass of Jupiter,” De Furio explained. “We find fewer five-Jupiter-mass objects than ten-Jupiter-mass objects, and we find way fewer three-Jupiter-mass objects than five-Jupiter-mass objects. We don’t really find any objects below two or three Jupiter masses, and we expect to see them if they are there, so we are hypothesizing that this could be the limit itself.”
Meyer added, “Webb, for the first time, has been able to probe up to and beyond that limit. If that limit is real, there really shouldn’t be any one-Jupiter-mass objects free-floating out in our Milky Way galaxy, unless they were formed as planets and then ejected out of a planetary system.”
Image B: Low Mass Objects within the Flame Nebula in Infrared Light
This near-infrared image of a portion of the Flame Nebula from NASA’s James Webb Space Telescope highlights three low-mass objects, seen in the insets to the right. These objects, which are much colder than protostars, require the sensitivity of Webb’s instruments to detect them. These objects were studied as part of an effort to explore the lowest mass limit of brown dwarfs within the Flame Nebula.
The Webb images represent light at wavelengths of 1.15 microns and 1.4 microns (filters F115W and F140M) as blue, 1.82 microns (F182M) as green, 3.6 microns (F360M) as orange, and 4.3 microns (F430M) as red. NASA, ESA, CSA, STScI, M. Meyer (University of Michigan) Building on Hubble’s Legacy
Brown dwarfs, given the difficulty of finding them, have a wealth of information to provide, particularly in star formation and planetary research given their similarities to both stars and planets. NASA’s Hubble Space Telescope has been on the hunt for these brown dwarfs for decades.
Even though Hubble can’t observe the brown dwarfs in the Flame Nebula to as low a mass as Webb can, it was crucial in identifying candidates for further study. This study is an example of how Webb took the baton—decades of Hubble data from the Orion Molecular Cloud Complex—and enabled in-depth research.
“It’s really difficult to do this work, looking at brown dwarfs down to even ten Jupiter masses, from the ground, especially in regions like this. And having existing Hubble data over the last 30 years or so allowed us to know that this is a really useful star-forming region to target. We needed to have Webb to be able to study this particular science topic,” said De Furio.
“It’s a quantum leap in our capabilities between understanding what was going on from Hubble. Webb is really opening an entirely new realm of possibilities, understanding these objects,” explained astronomer Massimo Robberto of the Space Telescope Science Institute.
This team is continuing to study the Flame Nebula, using Webb’s spectroscopic tools to further characterize the different objects within its dusty cocoon.
“There’s a big overlap between the things that could be planets and the things that are very, very low mass brown dwarfs,” Meyer stated. “And that’s our job in the next five years: to figure out which is which and why.”
These results are accepted for publication in The Astrophysical Journal Letters.
Image C (Animated): Flame Nebula (Hubble and Webb Comparison)
This animated image alternates between a Hubble Space Telescope and a James Webb Space Telescope observation of the Flame Nebula, a nearby star-forming nebula less than 1 million years old. In this comparison, three low-mass objects are highlighted. In Hubble’s observation, the low-mass objects are hidden by the region’s dense dust and gas. However, the objects are brought out in the Webb observation due to Webb’s sensitivity to faint infrared light. NASA, ESA, CSA, Alyssa Pagan (STScI) The James Webb Space Telescope is the world’s premier space science observatory. Webb is solving mysteries in our solar system, looking beyond to distant worlds around other stars, and probing the mysterious structures and origins of our universe and our place in it. Webb is an international program led by NASA with its partners, ESA (European Space Agency) and CSA (Canadian Space Agency).
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Laura Betz – laura.e.betz@nasa.gov
NASA’s Goddard Space Flight Center, Greenbelt, Md.
Matthew Brown – mabrown@stsci.edu
Space Telescope Science Institute, Baltimore, Md.
Christine Pulliam – cpulliam@stsci.edu
Space Telescope Science Institute, Baltimore, Md.
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Last Updated Mar 10, 2025 Editor Marty McCoy Contact Laura Betz laura.e.betz@nasa.gov Related Terms
James Webb Space Telescope (JWST) Astrophysics Brown Dwarfs Goddard Space Flight Center Science & Research Star-forming Nebulae The Universe View the full article
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By NASA
Curiosity Navigation Curiosity Home Mission Overview Where is Curiosity? Mission Updates Science Overview Instruments Highlights Exploration Goals News and Features Multimedia Curiosity Raw Images Images Videos Audio Mosaics More Resources Mars Missions Mars Sample Return Mars Perseverance Rover Mars Curiosity Rover MAVEN Mars Reconnaissance Orbiter Mars Odyssey More Mars Missions Mars Home 4 min read
Sols 4466-4468: Heading Into the Small Canyon
NASA’s Mars rover Curiosity produced this image from its Mars Hand Lens Imager (MAHLI), located on the turret at the end of the rover’s robotic arm. This image is a combination of two MAHLI images, merged on the rover on Feb. 25, 2025 — sol 4464, or Martian day 4,464 of the Mars Science Laboratory mission — at 22:36:53 UTC. NASA/JPL-Caltech/MSSS Written by Susanne Schwenzer, Planetary Geologist at The Open University
Earth planning date: Wednesday, Feb. 26, 2025
The fine detail of the image above reminds us once again that geoscience — on Mars and on Earth — is an observational science. If you look at the image for a few moments, you will see that there are different areas made of different textures. You will also observe that some features appear to be more resistant to weathering than others, and as a consequence stand out from the surface or the rims of the block. Sedimentologists will study this and many other images in fine detail and compare them to similar images we have acquired along the most recent drive path. From that they put together a reconstruction of the environment billions of years in the past: Was it water or wind that laid down those rocks, and what happened next? Many of the knobbly textures might be from water-rock interaction that happened after the initial deposition of the material. We will see; the jury is out on what these details tell us, and we are looking closely at all those beautiful images and then will turn to the chemistry data to understand even more about those rocks.
In the caption of the image above it says “merged” images. This is an imaging process that happens aboard the rover — it takes two (or more) images of the same location on the same target, acquired at different focus positions, and merges them so a wider range of the rock is in focus. This is especially valuable on textures that have a high relief, such as the above shown example. The rover is quite clever, isn’t it?
In today’s plan MAHLI does not have such an elaborate task, but instead it is documenting the rock that the APXS instrument is measuring. The team decided that it is time for APXS to measure the regular bedrock again, because we are driving out of an area that is darker on the orbital image and into a lighter area. If you want, you can follow our progress on that orbital image. (But I am sure many of the regular readers of this blog know that!)
That bedrock target was named “Trippet Ranch.” ChemCam investigates the target “San Ysidro Trail,” which is a grayish-looking vein. As someone interested in water-rock interactions for my research, I always love plans that have the surrounding rock (the APXS target in this case) and the alteration features in the same location. This allows us to tease out which of the chemical components of the rock might have moved upon contact with water, and which ones have not.
As we are driving through very interesting terrain, with walls exposed on the mesas — especially Gould mesa — and lots of textures in the blocks around us, there are many Mastcam mosaics in today’s plan! The mosaics on “Lytle Creek,” “Round Valley,” “Heaton Flat,” “Los Liones,” and the single image on “Mount Pinos” all document this variety of structures, and another mosaic looks right at our workspace. It did not get a nice name as it is part of a series with a more descriptive name all called “trough.” We often do this to keep things together in logical order when it comes to imaging series. The long-distance RMIs in today’s plan are another example of this, as they are just called “Gould,” followed by the sol number they will be taken on — that’s 4466 — and a and b to distinguish the two from each other. Gould Mesa, the target of both of them, exposes many different structures and textures, and looking at such walls — geologists call them outcrops — lets us read the rock record like a history book! And it will get even better in the next few weeks as we are heading into a small canyon and will have walls on both sides. Lots of science to come in the next few downlinks, and lots of science on the ground already! I’d better get back to thinking about some of the data we have received recently, while the rover is busy exploring the ever-changing geology and mineralogy on the flanks of Mount Sharp.
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Last Updated Feb 26, 2025 Related Terms
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NASA Open Data Turns Science Into Art
Guests enjoy Beyond the Light, a digital art experience featuring open NASA data, at ARTECHOUSE in Washington, D.C. on September 19, 2023. NASA/Wade Sisler An art display powered by NASA science data topped the Salesforce Tower in San Francisco, CA throughout December 2024. Nightly visitors enjoyed “Synchronicity,” a 20-minute-long video art piece by Greg Niemeyer, which used a year’s worth of open data from NASA satellites and other sources to bring the rhythms of the Bay Area to life.
Data for “Synchronicity” included atmospheric data from NASA and NOAA’s GOES (Geostationary Operational Environmental Satellites), vegetation health data from NASA’s Landsat program, and the Sun’s extreme ultraviolet wavelengths as captured by the NASA and ESA (European Space Agency) satellite SOHO (Solar and Heliospheric Observatory). Chelle Gentemann, the program scientist for the Office of the Chief Science Data Officer within NASA’s Science Mission Directorate, advised Niemeyer on incorporating data into the piece.
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Greg Niemeyer’s “Synchronicity” was displayed on Salesforce Tower in San Francisco, CA, in December 2024. A recording of the piece on the tower’s display and the original animation are shown here. The video art piece was created using open NASA data, as well as buoy data from the National Oceanographic and Atmospheric Administration (NOAA). Greg Niemeyer/Emma Strebel “Artists have a lot to contribute to science,” Gentemann said. “Not only can they play a part in the actual scientific process, looking at things in a different way that will lead to new questions, but they’re also critical for getting more people involved in science.”
NASA’s history of engaging with artists goes back to the 1962 launch of the NASA Art Program, which partnered with artists in bringing the agency’s achievements to a broader audience and telling the story of NASA in a different and unexpected way. Artists such as Andy Warhol, Norman Rockwell, and Annie Leibovitz created works inspired by NASA missions. The Art Program was relaunched in September 2024 with a pair of murals evoking the awe of space exploration for the Artemis Generation.
The inaugural murals for the relaunched NASA Art Program appear side-by-side at 350 Hudson Street, Monday, Sept. 23, 2024, in New York City. The murals, titled “To the Moon, and Back,” were created by New York-based artist team Geraluz and WERC and use geometrical patterns to invite deeper reflection on the exploration, creativity, and connection with the cosmos. NASA/Joel Kowsky The use of NASA data in art pieces emerged a few decades after the NASA Art Program first launched. Several in-house agency programs, such as NASA’s Scientific Visualization Studio, create stunning animated works from science data. In the realm of audio, NASA’s Chandra X-ray Observatory runs the Universe of Sound project to convert astronomy data into “sonifications” for the public’s listening pleasure.
Collaborations with external artists help bring NASA data to an even broader audience. NASA’s commitment to open science – making it as easy as possible for the public to access science data – greatly reduces the obstacles for creatives looking to fuse their art with cutting-edge science.
Michelle Thaller, assistant director for science communication at Goddard, presents the “Pillars of Creation” in the Eagle nebula to the ARTECHOUSE team during a brainstorming session at Goddard. The left image is a view from the Hubble Space Telescope, and the right view is from the Webb telescope. NASA/Wade Sisler Another recent blend of NASA data and art came when digital art gallery ARTECHOUSE created “Beyond the Light,” a 26-minute immersive video experience featuring publicly available images from the James Webb Space Telescope and Hubble Space Telescope. The experience has been running at various ARTECHOUSE locations since September 2023. The massive potential for art to incorporate science data promises to fuel even more of these collaborations between NASA and artists in the future.
“One of the integral values of open science is providing opportunities for more people to participate in science,” Gentemann said. “I think that by getting the public interested in how this art is done, they also are starting to play with scientific data, maybe for the first time. In that way, art has the power to create new scientists.”
Learn more about open science at NASA at https://science.nasa.gov/open-science.
By Lauren Leese
Web Content Strategist for the Office of the Chief Science Data Officer
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By European Space Agency
Video: 00:03:06 The ExoMars Rosalind Franklin rover will drill deeper than any other mission has ever attempted on the Red Planet.
The third episode in the series shows how the rover will extract, collect and analyse martian samples in a high-fidelity simulation.
Rosalind Franklin will be the first rover to reach a depth of up to two metres deep below the surface, acquiring samples that have been protected from harsh fsurface radiation and extreme temperatures.
The drill system combines multiple precission mechanisms in an intricate automated sequence. It uses three extension rods that connect tor form a two-metre “drill string”.
As the rover drills, it will simultaneously investigate the borehole using infrared spectroscopy to study mineral composition.
The ExoMars Rosalind Franklin mission is part of Europe’s ambitious exploration journey to search for past and present signs of life on Mars.
For the latest mission updates, visit ESA’s ExoMars website and our FAQ section.
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By NASA
u0022The really interesting thing to me is how time theoretically acts strangely around black holes. According to Albert Einstein’s theory of gravity, black holes change the flow of time,u0022 said Jeremy Schnittman, Goddard research astrophysicist. u0022So much of how we experience the world is based on time, time marching steadily forward. Anything that changes that is a fascinating take on reality.u0022u003cstrongu003eu003cemu003eCredits: NASA’s Goddard Space Flight Center / Rebecca Rothu003c/emu003eu003c/strongu003e Name: Jeremy Schnittman
Formal Job Classification: Research astrophysicist
Organization: Gravitational Astrophysics Laboratory, Astrophysics Division (Code 663)
What do you do and what is most interesting about your role here at Goddard? How do you help support Goddard’s mission?
I try to understand the formation and properties of black holes. I also help develop ideas for new missions to study black holes.
What drew you to astrophysics?
I always liked science and math. The great thing about astrophysics is that it involves a little bit of everything – math, computer programming, physics, chemistry and even philosophy to understand the big picture, the enormity of space.
I have a B.A. in physics from Harvard, and a Ph.D. in physics from MIT. I came to Goddard in 2010 after two post-doctoral fellowships.
Explore how the extreme gravity of two orbiting supermassive black holes distorts our view. In this visualization, disks of bright, hot, churning gas encircle both black holes, shown in red and blue to better track the light source. The red disk orbits the larger black hole, which weighs 200 million times the mass of our Sun, while its smaller blue companion weighs half as much. Zooming into each black hole reveals multiple, increasingly warped images of its partner. Watch to learn more.
Credits: NASA’s Goddard Space Flight Center/Jeremy Schnittman and Brian P. Powell
Download high-resolution video and images from NASA’s Scientific Visualization Studio As an astrophysicist, what do you think about?
I think of myself as a computational physicist as opposed to an experimental or observational physicist. I write many computer programs to do computer simulations of black holes. I also do a lot of theoretical physics, which is pencil and paper work. I think a lot about equations and math to understand black holes.
What is most philosophical about black holes to me is not so much what people most often think about, that their gravity is so strong that even light cannot escape. The really interesting thing to me is how time theoretically acts strangely around black holes. According to Albert Einstein’s theory of gravity, black holes change the flow of time. If you could get close enough to a black hole, theoretically you could go back and forth in time. All our experiments and observations seem to indicate that is how black holes might behave.
So much of how we experience the world is based on time, time marching steadily forward. Anything that changes that is a fascinating take on reality.
Related Link: Gravity Assist: Black Hole Mysteries, with Jeremy Schnittman What do you tell the people you mentor?
I mentor undergraduate, graduate, and post graduate students in astrophysics. Since we are working remotely, I have students from all over the country. I help them with their research projects which mostly relate to black holes in some way. I also offer career advice and help them with their work-life balance. When possible, family comes first.
There are more people coming out of graduate school in astrophysics than there are jobs, so there are going to be many people who will not work for NASA or as a professor. Fortunately, there are a lot of other fascinating, related jobs, and I help guide the students there.
What do you do for fun?
I have a woodshop in our basement where I build furniture, dollhouses, toys, and other items for gifts. As a theoretical physicist, I don’t get to work in a lab. So it is nice to have some hands on experience.
I do a lot of hiking and cycling to exercise. I also enjoy spending time with my family.
Who is your favorite author?
Andy Weir is probably my favorite sci-fi author. I also love the epic naval historical fiction by Patrick O’Brian.
Who inspires you?
My childhood hero, who is still my scientific hero, is Albert Einstein. The more I work in astrophysics, the more he impresses me. Every single one of his predictions that we have been able to test has proven true. It may be a while, but someday I hope we prove his theories about time travel.
Also, I admire Kip Thorne, an American physicist from Cal Tech and recent Nobel laureate, who is “the man” when it comes to black holes. He is also a really nice, good guy, a real mensch. Very humble and down-to-earth. He is always extremely patient, kind and encouraging especially to the younger scientists. He is a good role model as I transition from junior to more senior status.
What is your one big dream?
I make a lot of predictions, so it would be exciting if one of my theories was proven correct. Hopefully someday.
By Elizabeth M. Jarrell
NASA’s Goddard Space Flight Center, Greenbelt, Md.
Conversations with Goddard Conversations With Goddard is a collection of question and answer profiles highlighting the breadth and depth of NASA’s Goddard Space Flight Center’s talented and diverse workforce. The Conversations have been published twice a month on average since May 2011. Read past editions on Goddard’s “Our People” webpage.
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Last Updated Feb 10, 2025 Related Terms
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