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By NASA
3 min read
NASA Open Data Turns Science Into Art
Guests enjoy Beyond the Light, a digital art experience featuring open NASA data, at ARTECHOUSE in Washington, D.C. on September 19, 2023. NASA/Wade Sisler An art display powered by NASA science data topped the Salesforce Tower in San Francisco, CA throughout December 2024. Nightly visitors enjoyed “Synchronicity,” a 20-minute-long video art piece by Greg Niemeyer, which used a year’s worth of open data from NASA satellites and other sources to bring the rhythms of the Bay Area to life.
Data for “Synchronicity” included atmospheric data from NASA and NOAA’s GOES (Geostationary Operational Environmental Satellites), vegetation health data from NASA’s Landsat program, and the Sun’s extreme ultraviolet wavelengths as captured by the NASA and ESA (European Space Agency) satellite SOHO (Solar and Heliospheric Observatory). Chelle Gentemann, the program scientist for the Office of the Chief Science Data Officer within NASA’s Science Mission Directorate, advised Niemeyer on incorporating data into the piece.
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Greg Niemeyer’s “Synchronicity” was displayed on Salesforce Tower in San Francisco, CA, in December 2024. A recording of the piece on the tower’s display and the original animation are shown here. The video art piece was created using open NASA data, as well as buoy data from the National Oceanographic and Atmospheric Administration (NOAA). Greg Niemeyer/Emma Strebel “Artists have a lot to contribute to science,” Gentemann said. “Not only can they play a part in the actual scientific process, looking at things in a different way that will lead to new questions, but they’re also critical for getting more people involved in science.”
NASA’s history of engaging with artists goes back to the 1962 launch of the NASA Art Program, which partnered with artists in bringing the agency’s achievements to a broader audience and telling the story of NASA in a different and unexpected way. Artists such as Andy Warhol, Norman Rockwell, and Annie Leibovitz created works inspired by NASA missions. The Art Program was relaunched in September 2024 with a pair of murals evoking the awe of space exploration for the Artemis Generation.
The inaugural murals for the relaunched NASA Art Program appear side-by-side at 350 Hudson Street, Monday, Sept. 23, 2024, in New York City. The murals, titled “To the Moon, and Back,” were created by New York-based artist team Geraluz and WERC and use geometrical patterns to invite deeper reflection on the exploration, creativity, and connection with the cosmos. NASA/Joel Kowsky The use of NASA data in art pieces emerged a few decades after the NASA Art Program first launched. Several in-house agency programs, such as NASA’s Scientific Visualization Studio, create stunning animated works from science data. In the realm of audio, NASA’s Chandra X-ray Observatory runs the Universe of Sound project to convert astronomy data into “sonifications” for the public’s listening pleasure.
Collaborations with external artists help bring NASA data to an even broader audience. NASA’s commitment to open science – making it as easy as possible for the public to access science data – greatly reduces the obstacles for creatives looking to fuse their art with cutting-edge science.
Michelle Thaller, assistant director for science communication at Goddard, presents the “Pillars of Creation” in the Eagle nebula to the ARTECHOUSE team during a brainstorming session at Goddard. The left image is a view from the Hubble Space Telescope, and the right view is from the Webb telescope. NASA/Wade Sisler Another recent blend of NASA data and art came when digital art gallery ARTECHOUSE created “Beyond the Light,” a 26-minute immersive video experience featuring publicly available images from the James Webb Space Telescope and Hubble Space Telescope. The experience has been running at various ARTECHOUSE locations since September 2023. The massive potential for art to incorporate science data promises to fuel even more of these collaborations between NASA and artists in the future.
“One of the integral values of open science is providing opportunities for more people to participate in science,” Gentemann said. “I think that by getting the public interested in how this art is done, they also are starting to play with scientific data, maybe for the first time. In that way, art has the power to create new scientists.”
Learn more about open science at NASA at https://science.nasa.gov/open-science.
By Lauren Leese
Web Content Strategist for the Office of the Chief Science Data Officer
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Last Updated Feb 26, 2025 Related Terms
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By NASA
The four crew members of NASA’s SpaceX Crew-9 mission, including NASA astronauts Nick Hague, Suni Williams, and Butch Wilmore, along with Roscosmos cosmonaut Aleksandr Gorbunov, pose for a photo aboard the International Space StationNASA Media are invited to hear from NASA’s SpaceX Crew-9 astronauts during a news conference beginning at 11:55 a.m. EST, Tuesday, March 4, from the International Space Station.
NASA astronauts Nick Hague, Suni Williams, and Butch Wilmore will discuss their return to Earth on NASA+. Learn how to watch NASA content through a variety of platforms, including social media.
Media interested in participating must contact the newsroom at NASA’s Johnson Space Center in Houston no later than 5 p.m. Monday, March 3, at 281-483-5111 or jsccommu@mail.nasa.gov. To ask questions, media must dial into the news conference no later than 15 minutes prior to the start of the call. A copy of NASA’s media accreditation policy is online. Questions also may be submitted on social media using #AskNASA.
Crew-9 contributed to hundreds of scientific experiments, including swabbing the station’s exterior for microbes, printing 3D medical devices, and studying how moisture, orbital altitude, and ultraviolet light affect plant growth.
The crew will depart the space station after the arrival of Crew-10 and a short handover period. Ahead of Crew-9’s return, mission teams will review weather conditions at the splashdown sites off the coast of Florida prior to departure from station.
The mission is part of NASA’s Commercial Crew Program, which provides reliable access to space, maximizing the use of the station for research and development and supporting future missions beyond low Earth orbit by partnering with private companies to transport astronauts to and from the space station.
Follow updates on the Crew-9 mission at:
https://www.nasa.gov/station
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Joshua Finch / Jimi Russell
Headquarters, Washington
202-358-1100
joshua.a.finch@nasa.gov / james.j.russell@nasa.gov
Courtney Beasley
Johnson Space Center, Houston
281-483-5111
courtney.m.beasley@nasa.gov
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Last Updated Feb 26, 2025 LocationNASA Headquarters Related Terms
Humans in Space Astronauts Barry E. Wilmore International Space Station (ISS) Sunita L. Williams
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By NASA
6 Min Read NASA’s PUNCH Mission to Revolutionize Our View of Solar Wind
Earth is immersed in material streaming from the Sun. This stream, called the solar wind, is washing over our planet, causing breathtaking auroras, impacting satellites and astronauts in space, and even affecting ground-based infrastructure.
NASA’s PUNCH (Polarimeter to Unify the Corona and Heliosphere) mission will be the first to image the Sun’s corona, or outer atmosphere, and solar wind together to better understand the Sun, solar wind, and Earth as a single connected system.
Launching no earlier than Feb. 28, 2025, aboard a SpaceX Falcon 9 rocket from Vandenberg Space Force Base in California, PUNCH will provide scientists with new information about how potentially disruptive solar events form and evolve. This could lead to more accurate predictions about the arrival of space weather events at Earth and impact on humanity’s robotic explorers in space.
“What we hope PUNCH will bring to humanity is the ability to really see, for the first time, where we live inside the solar wind itself,” said Craig DeForest, principal investigator for PUNCH at Southwest Research Institute’s Solar System Science and Exploration Division in Boulder, Colorado.
This video can be freely shared and downloaded at https://svs.gsfc.nasa.gov/14773.
Video credit: NASA’s Goddard Space Flight Center Seeing Solar Wind in 3D
The PUNCH mission’s four suitcase-sized satellites have overlapping fields of view that combine to cover a larger swath of sky than any previous mission focused on the corona and solar wind. The satellites will spread out in low Earth orbit to construct a global view of the solar corona and its transition to the solar wind. They will also track solar storms like coronal mass ejections (CMEs). Their Sun-synchronous orbit will enable them to see the Sun 24/7, with their view only occasionally blocked by Earth.
Typical camera images are two dimensional, compressing the 3D subject into a flat plane and losing information. But PUNCH takes advantage of a property of light called polarization to reconstruct its images in 3D. As the Sun’s light bounces off material in the corona and solar wind, it becomes polarized — meaning the light waves oscillate in a particular way that can be filtered, much like how polarized sunglasses filter out glare off of water or metal. Each PUNCH spacecraft is equipped with a polarimeter that uses three distinct polarizing filters to capture information about the direction that material is moving that would be lost in typical images.
“This new perspective will allow scientists to discern the exact trajectory and speed of coronal mass ejections as they move through the inner solar system,” said DeForest. “This improves on current instruments in two ways: with three-dimensional imaging that lets us locate and track CMEs which are coming directly toward us; and with a broad field of view, which lets us track those CMEs all the way from the Sun to Earth.”
All four spacecraft are synchronized to serve as a single “virtual instrument” that spans the whole PUNCH constellation.
Crews conduct additional solar array deployment testing for NASA’s PUNCH (Polarimeter to Unify the Corona and Heliosphere) satellites at Astrotech Space Operations located on Vandenberg Space Force Base in California on Wednesday, Jan. 22, 2025. USSF 30th Space Wing/Alex Valdez The PUNCH satellites include one Narrow Field Imager and three Wide Field Imagers. The Narrow Field Imager (NFI) is a coronagraph, which blocks out the bright light from the Sun to better see details in the Sun’s corona, recreating what viewers on Earth see during a total solar eclipse when the Moon blocks the face of the Sun — a narrower view that sees the solar wind closer to the Sun. The Wide Field Imagers (WFI) are heliospheric imagers that view the very faint, outermost portion of the solar corona and the solar wind itself — giving a wide view of the solar wind as it spreads out into the solar system.
“I’m most excited to see the ‘inbetweeny’ activity in the solar wind,” said Nicholeen Viall, PUNCH mission scientist at NASA’s Goddard Space Flight Center in Greenbelt, Maryland. “This means not just the biggest structures, like CMEs, or the smallest interactions, but all the different types of solar wind structures that fill that in between area.”
When these solar wind structures from the Sun reach Earth’s magnetic field, they can drive dynamics that affect Earth’s radiation belts. To launch spacecraft through these belts, including ones that will carry astronauts to the Moon and beyond, scientists need to understand the solar wind structure and changes in this region.
Building Off Other Missions
“The PUNCH mission is built on the shoulders of giants,” said Madhulika Guhathakurta, PUNCH program scientist at NASA Headquarters in Washington. “For decades, heliophysics missions have provided us with glimpses of the Sun’s corona and the solar wind, each offering critical yet partial views of our dynamic star’s influence on the solar system.”
When scientists combine data from PUNCH and NASA’s Parker Solar Probe, which flies through the Sun’s corona, they will see both the big picture and the up-close details. Working together, Parker Solar Probe and PUNCH span a field of view from a little more than half a mile (1 kilometer) to over 160 million miles (about 260 million kilometers).
Additionally, the PUNCH team will combine their data with diverse observations from other missions, like NASA’s CODEX (Coronal Diagnostic Experiment) technology demonstration, which views the corona even closer to the surface of the Sun from its vantage point on the International Space Station. PUNCH’s data also complements observations from NASA’s EZIE (Electrojet Zeeman Imaging Explorer) — targeted for launch in March 2025 — which investigates the magnetic field perturbations associated with Earth’s high-altitude auroras that PUNCH will also spot in its wide-field view.
A conceptual animation showing the heliosphere, the vast bubble that is generated by the Sun’s magnetic field and envelops all the planets.
NASA’s Goddard Space Flight Center Conceptual Image Lab As the solar wind that PUNCH will observe travels away from the Sun and Earth, it will then be studied by the IMAP (Interstellar Mapping and Acceleration Probe) mission, which is targeting a launch in 2025.
“The PUNCH mission will bridge these perspectives, providing an unprecedented continuous view that connects the birthplace of the solar wind in the corona to its evolution across interplanetary space,” said Guhathakurta.
The PUNCH mission is scheduled to conduct science for at least two years, following a 90-day commissioning period after launch. The mission is launching as a rideshare with the agency’s next astrophysics observatory, SPHEREx (Spectro-Photometer for the History of the Universe, Epoch of Reionization and Ices Explorer).
“PUNCH is the latest heliophysics addition to the NASA fleet that delivers groundbreaking science every second of every day,” said Joe Westlake, heliophysics division director at NASA Headquarters in Washington. “Launching this mission as a rideshare bolsters its value to the nation by optimizing every pound of launch capacity to maximize the scientific return for the cost of a single launch.”
The PUNCH mission is led by Southwest Research Institute’s offices in San Antonio, Texas, and Boulder, Colorado. The mission is managed by the Explorers Program Office at NASA Goddard for NASA’s Science Mission Directorate in Washington.
By Abbey Interrante
NASA’s Goddard Space Flight Center, Greenbelt, Md.
Header Image:
An artist’s concept showing the four PUNCH satellites orbiting Earth.
Credits: NASA’s Goddard Space Flight Center Conceptual Image Lab
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Last Updated Feb 21, 2025 Related Terms
Heliophysics Coronal Mass Ejections Goddard Space Flight Center Heliophysics Division Polarimeter to Unify the Corona and Heliosphere (PUNCH) Science Mission Directorate Solar Wind Space Weather The Sun Explore More
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